"Arrest" by Donald E. Westlake (from Manhunt, January 1958; reprinted in Giant Manhunt, 1958; in Opening Shots, edited by Lawrence Block, 2000; and in The Best of Manhunt 2, edited by Jeff Vorzimmer, 2020)
Let's face it, first published stories are not necessarily good stories; they are the ones, usually, that finally made it across and editor's desk and happened to fill a need that may or may not have required good writing. As a rule, first stories are passable fiction.
Donald E. Westlake's "Arrest" was actually his third published story, but it was his first published crime story; it followed a brief six-page science fiction story published two years earlier and another brief sory in the early men's magazine Rogue in 1957. At the time Westlake was working for famed (or, perhaps, infamous) literary agent Scott Meredith while at the same time submitting his own stories to Meredith. One of the stories finally hit and was accepted for Manhunt, the hardboiled crime digest secretly edited by Meredith under another name; Manhunt, it turns out, was a virtual closed shop for Meredith's clients, although it would occasionally range further (and pay a bit more more money) to get "big-name" writers to promote on its covers. (Meredith was noted for being penny-pinching, the literary agent equivalent of Hugo Gernsback, perhaps.)
William Winthrop, 24, comes home to his apartment, gets a gun from the bureau drawer and puts it to his head. He can't pull the trigger. He throws the gun at a mirror, breaking it, has a few drinks, smokes a few cigarettes, then dresses in a conservative gray suit. And waits. Soon the police arrive. He calls a friend -- a lawyer -- who says he wants nothing to do with him. He offers the cop a drink, which is refused, and then they head off together to where he will be booked for his mother's murder.
A mood piece, nothing special, but fairly evocative. Even with this rude beginning, there are hints of Westlake's future talent,
Westlake, of course, would go on to become one of the most honored and respected mystery writers of the last half of the twentieth century, the creator of violent thief Parker and of bumbling thief John Dortmunder -- both highly popular and influential characters. He was a three-time Edgar winner, one of the few to win in three different categories -- best novel, best short story, and best motion picture screenplay. He was named a MWA Grand Master in 1993. All of his books are highly recommended.
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