The Dixie Hummingbirds.
https://www.youtube.com/watch?v=plt2tF7h3R8
This one took me by surprise for two reasons. First, the title. 4 Most Boys...are you kidding me? That implies that there are a number of boys this comic book for whom this comic book is verboten. That's like if the title of Calling All Girls was actually Calling All Girls Except Lucinda Who Is a Skank. True, a banner across the front cover also reads "Foremost Boys Comics," But that's offset by the large type of the actual title and by the vertical printing of the title on the left side of the cover. It is my considered opinion that whoever titled this comic book screwed up big time.
The other surprise was the teaser notice on the lower right cover: "The True Life Story of All-American CHUB PEABODY" Hang on a minute. I know of only one Chub Peabody, Endicott Peabody, the 62nd governor of Massachusetts. (When my wife worked a sales desk at Jordan March in Nashua, New Hampshire, Mrs. Chub was one of her favorite customers.) A World War II Navy veteran who was awarded several commendations, including the Silver Star, Chub Peabody served one term as governor (1963-1965) and as known for his vehement opposition to the death penalty and for signing the bill establishing the University of Massachusetts Boston. Peabody had deep New England roots: this ancestor, John Endecott (note the spelling), was the longest serving governor of the Massachusetts Bay Company; his grandfather, Endicott Peabody, was an Episcopal priest who founded both the Groton School and the Brooks School, was well as Episcopal churches in Arizona and Massachusetts; his maternal grandfather served on both the Boston Common Council and in both chambers of the Massachusetts General Court; his father served as bishop of the Episcopal Diocese of Central New York for eighteen years; his mother was a noted civil rights and anti-war activist in the 1960s, as an elderly (72-year-old) prominent (Chub was governor, and she was a cousin of Eleanor Roosevelt, and her father-in-law had officiated at Eleanor and FDR's wedding) white woman, she became a symbol of the civil rights movement and was arrested several times; his sister represented the United States on the United Nations Commission on Human Rights, and had a number of romantic affairs, including ones with film director John Huston and presidential candidate Adlai Stevenson (she was with him when he died); his niece, Frances Fitzgerald, is a Pulitzer Prize, Bancroft Prize, and National Book Award-winning historian; another niece, Penelope Tree was an influential supermodel in Britain's "swinging sixties" (when asked to describe her in three words, John Lennon said, "Hot. Hot. Hot. Smart. Smart. Smart." -- and, yes, that's more than three words). As governor, Chub's liberal roots were also shown in his support of laws to prevent discrimination in housing and in establishing drug addiction treatment centers. Good intentions sometimes mean little in politics and Chub lost the Democratic primary for reelection. He later ran for a number of other offices, including the Senate in both Massachusetts and New Hampshire, and made several attempts to run for Vice President. What I did not know was that Chub was a Unanimous All-American and First-Team All-Easton college football player who had been inducted into the College football Hall of Fame. Now, thanks to 4 Most Boys #39, I do.
The issue starts off with "The Cadet," featuring Kit Carter, a cadet at the Daunton Academy for Boys. Kit and his friend, Dan Merry, stumble across a cabin in the woods being used by detective story writer Dick Mann. A shot rings out! It's an aggrieved ghost writer who wants payment for a story he had written for Mann. Mann takes a rifle to face the ghost writer, but ends up killing himself. then Mann becomes a ghost. Kit tries to tackle the ghost writer but it turns out that he, too, is a ghost. Then Kit is killed and becomes a ghost. The ghosts begin multiplying and multiple Kit-ghosts and Mann-ghosts chase Dan. then Dan wakes up. He had tripped and bumped his head and dreamed the whole thing. but we knew that, didn't we?
The next story features Edison Bell. Young Eddie had seen the magician Thorstin's act and was impressed. He decided to recreate Thorstin's tricks. But Eddie then gets suspicious of Thorstin and decided to watch his act one more time. Then he gets even more suspicious...and for good reason, Thorstin is using his act as a cover for jewel robberies. Eddie may not be the greatest amateur magician, but he was able to trade Thorstin's costume robes for real-life prison stripes!
Two one-page text stories follow. "Finger Marks," in which a murderer tries to frame another person with rubberized finger prints, and "The Future Champion," in which Don wins a boxing match despite having two cracked ribs.
Now we get to the four-page story about Chub Peabody, a most distinguished lineman "who was chosen on more All-American teams in 1941 than any other player in the country," and holder of the Knute Rocke Trophy. At the Groton School, he had a "fine academic record," was "elected president of the missionary society and vice-president of the dramatic club. Not caring for indoor sports, he turned down a chance to play basketball and opted instead for football, where, in his senior year, he captained the team to an undefeated season. "Not endowed with prodigious strength or speed, but the possessor of an unquenchable fighting spirit, Peabody entered Harvard and made football history!" He worked hard at exercises to develop his back and his neck -- developing his neck from a 14 to a 17. By mid-season in his sophomore year, Chub had won a first season berth. He became the tram's most feared offensive guard; the press began "lovingly": calling him the "baby-faced assassin." In his final game, Chub played three-quarters of the game with an injured thigh, beating rival Yale 14-0.
The final story in the issue features The White Rider and Super Horse. (If you are wondering what sort of person names their horse "Super Horse." don't; the horse's actual name is Cloud. I may be wrong, but I suspect the Super Horse name came from the same genius who called the comic book 4 Most Boys. BTW, sometimes Super Horse is spelled as two words and sometimes as one.) Anyway, The White Rider and SH (aka Cloud) are moseying down the rail when they come across a railroad construction camp on fire. And, golly! There's dynamite in the cabin and it might go off at any moment. The White Rider throws a rope around a beam and has SH (aka Storm) pull hard, taking the entire front off the building down. Then TWR runs in and grabs the boxes of dynamite one by one and brings them to safety. The shack collapses, but not before TWR gets all the dynamite out. There's skullduggery a-going on -- this was the fifth "accident" the construction crew has had. If they don't finish the line in a week, the man building the railroad line will be bankrupt and the bank will foreclose (considering the title of the comic book, shouldn't it be "4close?"). It doesn't take a genius to figure out the banker eager to foreclose (4close) is behind it all. TWR confronts the banker, is taken captive, and is tied up and placed on the railroad tracks in a tunnel with a lit bundle of dynamite ready to explode. but the bad guys don't count on SH (aka Storm) , who sense something is wrong, rushes into the tunnel, grabs the explosives in his teeth and tosses them over a cliff. KABOOM! The there's a gun battle and SH (aka Storm) grabs the bad banker with his teeth and shakes him until he confesses. You could say the bad guy's plans have all gone to SH. TWR and SH (aka Storm) ride off into the sunset for more exciting adventures.
An interesting comic book with moderate-to-fair artwork.
Check it out:
https://comicbookplus.com/?dlid=97579&comicpage=&b=i
Killers Are My Meat by Stephen Marlowe (1957)
Marlowe's Chester Drum was a Washington, D.C.-based private eye who blazed his way through twenty popular paperback novels and seven short stories from 1955 to 1968; an eighth short story appeared in 1973. Drum was more than your typical hardboiled P.I., though. He was an ex-cop and ex-FBI agent who runs his own one-man shop, as do many of his literary ilk. But Drum's cases often took him around the world and often involved espionage and international skullduggery, from Moscow to Mecca, and from South America to Rome, and twice to Berlin (once before the Wall, and once afterward). Killers Are My Meat, the third book in the series, finds him in Benares, India -- a city obsessed with death and religion.
Drum is asked to locate and return Gil Sprayregan, a down-on-his-luck P.I., to his wife. Sprayregan is hiding out, in fear for his life, because of what he learned while investigating Sumitra Mojindar, the wife of the First Secretary of India. Sumitra was much younger than her husband; she was also gifted with the morals of an alley cat. Sprayregan discovered some secret about the Indian embassy that made him a target. Drum located Sprayregan, and promising him protection, brought him back to his wife -- just in time for him to be killed in a hut-and-run. Distraught, Sprayregan's widow accosted Sumitra and was shot and killed by a servant who was sleeping with the Sumitra. Diplomatic immunity closed the case.
Sumitra's husband was organizing a large conference of Asian and African nations and had invited Western countries to send observers, but not participants. One of those was Stewart Varley, who also happened to have been none of Sumitra's lovers. Varley was going through an existential crisis and was expressing extreme interest in various Oriental religions. Varley's wife hired Drum to accompany her husband to the conference in Benares with orders to be sure that Varley returned to the States and was lured to stay in India to explore the area's religions. This gave Drum an opportunity to dig further into Sumitra and her deadly manservants...and to uncover a political plot to overthrow the government and to establish an "India for India" regime.
There's a mystic guru, a mute acolyte, a perky young reporter who has has a past with Drum, her rash lover, a kidnapping, murders, crematoriums, some very nasty thugs, and the constant stink of death. The Varney is reported dead and Drum rushes to the scene to see the body tossed on a fire.
Marlowe keeps the pace moving at a fast clip, but his description of the filth, abject poverty, and decay of Benares is off-putting. Still, it's an interesting novel, and one firmly entrenched in its time period. Drum is a worthwhile hero and its easy to see why the books were so popular in their day.
Stephen Marlowe (1928-2008) was born Milton Lesser but legally changed his name to this pseudonym. He began writing pulp crime fiction and science fiction, writing as both Lesser and Marlowe, but also as Adam Chase, Andrew Frazier, Jason Ridgeway, C. H. Thames, S. M. Teneshaw, Gerald Vance, Darius John Granger, Stephen wilder, and even Ellery Queen. He began shifting to mainstream novels with 1961's The Shining, followed by a number of thrillers and best-selling fictional autobiographies of Goya, Christopher Columbus, Miguel de Cervantes, and Edgar Allan Poe. A one-time member of the Board of Directors of Mystery Writers of America, he was awarded the French Prix Gutenberg du Livre in 1998 for The Memoirs of Christopher Columbus, and was given a Lifetime Achievement Award from the Private Eye Writers of America in 1997. His work is both literate and enjoyable; his later novels are especially worthwhile, as is his complete Chester Drum series.
There are geniuses and there are comic geniuses. Ernie Kovacs was not only a true comic genius, but his madcap ways helped change the shape of comedy. Here, Kovacs takes a surreal look at the Tom Swift books of yore.
Enjoy.
https://audiomack.com/ernie-kovacs/song/tom-swift-6381493
"The Moon for a Nickel" by Fredric Brown (first published in Street & Smith's Detective Story Magazine, March 1938; reprinted in The Saint Detective Magazine, May 1954, and in the UK edition of that magazine, March 1956; collected in Brown's Homicide Sanitarium, 1984[ and in Brown's collection Murder Draws a Crowd, 2017)
Fredric Brown began his writing career penning short pieces for various trade journals such as The Michigan Well Driller, Excavating Engineer, Ford Dealer Service Bulletin, Feedstuffs, and Independent Salesman, among others. In 1938 he began to concentrate on mystery and crime stories with mixed success. The fist of these to be published was "The Moon for a Nickel," a short-short story about a robbery and its effect on one bystander who was in desperate need of money. This was the only story in that loose genre to be published in 1938; two earlier written stories were published in 1939, and 1940 saw the beginning of a flood of mystery stories begin to appear.
The protagonist of "A Moon for a Nickel" was an unnamed man with straggly hair who ran a small concession off Lake Michigan, a telescope aimed at the moon with the sign "The Moon for a Nickel." It was an extremely hot evening and few people were about, and those that were showed interest interest in viewing the moon through a telescope. Then a stranger came up, shoved a dollar bill in in the man's hands, and said he wanted to look at the Milky Way in private. The man had never had a request like this but a dollar was a dollar and his wife needed an operation that would cost fifty dollars, so he walked off, keeping an eye on his telescope from the corner of his eye in case the stranger decided to walk off with it. He saw the stranger adjust the telescope lower and adjust the lens, watching something for a brief moment, then walked away to where a big car was parked. Before readjusting the telescope back to a view of the moon, the man looked to see where the stranger had aimed the scope -- at a nearby building. Two men came running out of the building toward the stranger's car...
Within seconds police cars arrived on the scene and officers emerged carryi6ng submachine guns. A bloody battle ensued and the bad guys were killed.
The man went up to one of the officers, saying that he was a witness to what had happened and was there a reward he could claim. The policeman shooed him away. An alarm had been set, alerting them to the robbery, and the man was lucky they did not arrest for being an accomplice. Dejected, the m an went back to his telescope, which he then used to view the goings-on. through the telescope, he could even see the damaged safe that had been broken into. It was getting late and, aside from the one dollar the crook had given him, he had earned nothing else that evening. He still needed forty-nine dollars for his wife's operation.
He was about to head home, but a crowd was beginning to form, curious about the gunshots and the police activity. He called out to the crowd, Come view the crime scene closeup for only fifty cents! And the curious mob began to line up. Before the evening was over he had made another sixty-one dollars.
A very minor, very gimmicky story that incorporated a number of tropes that Brown would use in his later crime fiction: the unusual setting of a low-level concession which prefigured the carnivals that influenced much of his work, a down-on-his-luck protagonist who was in a difficult position, violent and unexpected crime, and a twist ending that resolves the protagonist's problems, as well as the Chicago-area locale. Minor though the little tale might be, it is an important indication of where Fredric Brown would take the mystery story.
The May 1954 issue of The Saint Detective Magazine is available online at Internet Archive. Also included in the issue are stories by Leslie Charteris (featuring The Saint. of course). Arthur Somers Roche, Octavus Roy Cohen, Steve Fisher (featuring Tony Key), MacKinlay Kantor (featuring Nick & Dsve Glennan), Damon Runyon, Gilbert K. Chesterton (featuring Father Brown), Henry Morton Robinson, Bevis Winter (editor of the short-lived [9 issues] UK men's magazine Stag: Man's Own Magazine), and one-and-dome author [and possibly a pseudonym] Jimmy Rizutto.
Tol'able David is an acclaimed 1921 silent film, which won the 1921 Photoplay Magazine Medal of Honor and which was selected in 2007 for the National Film Registry. It starred Richard Barthelmess, Gladys Hulette, Walter P. Lewis,
A 1930 remake starred Richard Cromwell, who was born LeRoy Melvin Radabaugh; with no previous professional experience, he tried out for this role and was chosen out of thousands of applicants and was given his new stage name by Columbia mogul Harry Cohn. Cromwell went on to be featured in The Lives of a Bengal Lancer, The Road Back, Jezebel, and Young Mr. Lincoln, among others. He was briefly married to a young Angela Lansbury.
Joining Cromwell in the remake of Tol'able David were Noah Beery, Joan Peers, Henry B. Walthall, Tom Keene, and James Bradbury. Far down on the list of credits was an actor billed as Peter Richmond, who was actually John Carradine in his first credited movie role; the "Peter Richmond" name was a holdover from his stage career and was adopted as a homage to Carradine's uncle. Carradine was one of the most prolific actors of the Twentieth century, with 353 IMDb credits. F. Gwynplaine Macintyre notes that Carradine plays "a hillbilly named Buzzard, giving precisely the performance you'd expect to see from John Carradine as a hillbilly named buzzard." Carradine doesn't disappoint here, but nor does he surprise."
David Kinemon (Barthelmess, '21; Cromwell, '30), son of a West Virginia tenant farmer, longs to b e treated like a man, but is constantly reminded that he is still a boy, "tol'able" enough, but not a man. Then outlaw Iscah Hatburn (Walter P. Lewis, '21; Harlan Knight, '30) and his two sons, Luke (Ernest Torrence, '21; Warner Richmond, '30) and "Little Buzzard" (Ralph Yearsley, '21; John Carradine, '30) move into the neighboring Harburn farm. David is sweet on Hatburn's granddaughter Esther (Gladys Hulette, '21; Joan Peers, '30) , who warns him not to interfere. Then the Harburns kill David's pet dog (Lassie, '21; uncredited, '30) and cripple his brother (Warner Richmond, '21; Tom Keene, '30) . David's father (Edward Gurney, '21; Edmund Breese, '30) was about to face the Hatburns but suffered a fatal heart attack. David's family loses their tenancy and he has a hard time finding work, but eventually gets his brother's old job delivering mail. A showdown with the Hatburns ends up with David being shot. in a gun battle with the Hatburns he comes out victorious, no longer "Tol'able David," but a man deserving of respect.
The film (both versions) was produced and directed by Henry King. King and screenwriter Edmond Goulding produced the screenplays for both versions, based on Joseph Hergesheimer's 1917 short story. Despite having the same talents behind the cameras, the 1930 film is considered a poor shadow of the original film.
The 1930 version of the film is not available online, but the 1921 silent is:
https://www.youtube.com/watch?v=HkxEWjUrxbA
Too much going on this week for me to spent the amount of time this post deserves. Sorry.
Openers: "Tom, your new atomic sports car is absolutely dreamy!" said Phyllis Newton
Eighteen-year-old Tom Swift Jr. grinned at the pretty dark-haired girl's excitement as his sleek, bronze racer glided along the highway leading out of Shopton.
"You should call it the Silent Streak!" suggested Sandra Swift, Tom's seventeen-year-old blond sister, who was riding in the back seat with Bud Barclay.
"Good name, Sandy," Tom agreed, "but the publicity releases will call it a triphibian atomicar."
"Open 'er up, skipper!" Bud urged his pal.
Tom advanced the unicontrol lever and the car arrowed forward with a whoosh! His three companions were thrilled by its smooth, noiseless response,
-- Tom Swift and His Triphibian Atomicar by "Victor Appleton II" (James Duncan Lawrence, this time), 1962
The original Tom Swift juveniles published by the Stratemeyer Syndicate ran for forty volumes between 1910 and 1941; they vied with other Stratemeyer creations such as the Hardy Boys and Nancy Drew for popularity. Tom was an inventor extraordinaire and his many gadgets lent a science-fiction-lite tone to the adventure series. Never to let a good series die on the vine, Harriet Stratemeyer authorized the creation of a new series, featuring the original Tom's son, beginning with Tom Swift and His Flying Lab 1954. A total of 33 volumes were published through 1971. (The baton was passed onto a third series with eleven books published from 1981 to 1984; then to a fourth series published from 1991 to 1993 -- thirteen books, plus two crossovers with The Hardy Boys; a fifth series appeared with six volumes in 2006 and 2007; a final series appeared from 2019 to 2022 with eight volumes. Over the course of these 111 books, Tom Swift has been reimagined, rebooted, altered, and twisted out of any recognizable image. Who knows? There be still more to come from this cash cow.
Anyway, about Tom Swift Jr. I read the first in the series and was greatly disappointed. I had read all 40 of the original Tom Swift books and -- flawed that they were with jingoism, sexism, and militarism -- found them entertaining, well-paced, and fairly plotted. Not so, the one I read in the the succeeding series, and judging from the first few sentences of Triphibian Atomicar, others in the series may be as poorly written. We shall see. I'm determined to read at least a couple more in the series before I kae final judgment.
Triphibian is the 19th book in the series. The author, James Duncan Lawrence, penned two dozen volumes in the series. In this one, Tom and the gang head to the newly developed republic of Kabulistan to help the country develop its natural resources; they also end up searching for a ruby mine lost for some two centuries. A bunch of incredible inventions come into play...
Incoming: