A great example of Good Girl Art (also commonly referred to as GGA) in comic books.
From Wikipedia: "As published by Fox Feature Syndicate in the late 1940s, Phantom Lady is a notable and controversial example of 'good girl art', a style of comic art depicting voluptuous female characters in provocative situations and pin-up that contributed to widespread criticism of the media's effect on children. The character was ranked 49th in Comic Buyer's Guide '100 Sexiest women in comics' list."
Created by Arthur Peddy of the Eisner & Iger Studio for Quality Comics' anthology title Police Comics #! (August 1941, the same issue that would introduce Plasticman and the Human Bomb), Phantom Lady was the alter ego of Sandra Knight, the daughter of Senator Henry Knight. Back then, her costume was a green c ape and what could be considered a one-piece yellow bathing suit -- already sexy enough for 1941 audiences. She carried a "black light projector" that could blind her enemies and make her invisible. (Over time, she also had the powers of intangibility, casting illusions, and teleportation,)
After Quality stopped publishing the adventure of Phantom Lady, the Iger Studio believed it held ownership of the character and assigned it to Fox Feature Syndicate, which began running her in Phantom Lady #13 (August 1947, taking over the numbering of Fox's Wotalife Comics). At Fox, as drawn by Matt Baker, this was not your mother's Phantom Lady -- her costume was significantly altered to reveal some awesome cleavage; instead of a bathing suit, she wore a bandana-like contraption tied around her upper torso, and added high-cut loose shorts, and her costume had switched from yellow to red and blue. Her mammalian attributes were heavily emphasized to the point that a normal woman would insist on the support of a quality brassiere; the fact that she did not have one and did not jiggle or flop as she went through extensive battles indicate a hereto before unsung superpower -- one heartily endorsed ( I assume) by her male teenage readership. The cover of this issue (#17) is famous for being and example reprinted in Dr. Frederick Wertham's notorious Seduction of the Innocent, the controversial anti-comic book screed that led to Congressional hearings and to the industry's Comics Code Authority in 1954. (That cover was reprinted in a very special limited edition booklet for the London Super Comic convention for 2013 by PS Artbooks.) Later in her adventures, it was revealed that Phantom Lady had deliberately designed her costume to distract the bad guys -- if it worked for her male audience, it surely would work for the bad guys.
Alas, with the introduction of the Comics Code Phantom Lady covered up her cleavage and switch to a skirt instead of those shorts. But fear not, true fans, Phantom Lady has jumped from publisher to publisher over the years and has changed her identity and origin story several times and has bounced back to skimpy and revealing costumes.
In this issue:
- Phantom Lady discovers that a protection racket had killed a friend of hers because she would not pay, and that made Phantom Lady mad, in "The Soda Mint Killer!"
- In "The Stinging Whip!", Sandra's fiance, Don Bordon, invites her to the racetrack to see the horse he had just purchased. don's jockey is killed when he refuses to throw the race and Sandra rides Sugar Girl instead.
- The issue ends with a ten-page non-fiction story about "Evelyn Ellis, Queen of Gangster." Evelyn "remade a gang of two-bit crooks into a high powered mob of dangerous killers" in 1937 San Francisco. SPOILER ALERT: It did not last long; several members of the gang were killed in a shootout with police, the other members were sentenced to life in prison, and Evelyn was given fifty years in the slammer. C'est la vie. Crime does not pay -- in comic books.