Small House of Everything

Small House of Everything

Wednesday, May 6, 2026

THE FAT MAN: THE 19TH PEARL (JANUARY 21, 1946)

Okay.  So you've had this runaway hit with your novel The Thin Man (Redbook Magazine, December 1933; book publication the following month), followed by the first in a popular film franchise later that same year (and a television series still to come from 1957-59), and perhaps you are wondering how to cash in on that even further.  Why not create a radio show that riffs on the original title and call it The Fat Man?  Or perhaps not.  The show was developed by producer Mannie Rosenberg, and was supposedly based on a concept by Hammett.  While Hammett's involvement -- or lack of it -- may be in question, that did not stop Rosenberg from using the Hammett name.

The half-hour program ran on ABC Radio from January 21, 1946 to September 26, 1951.  It featured J. (Jack) Scott Smart as an overweight detective who was at first anonymous and then was named Brad Runyon, who could always be counted on to out-bamboozle the police.   

..."There he goes into that drugstore.  He's stepping on the scales."  [The clink of a coin dropping into the slot.]    "Weight:  237 pounds.  Fortune:  Danger.  Who-o-o-o is it?"  "The Fat Man."...

Smart also starred in a film version, The Fat Man (1951), with Clinton Sundberg, Rock Hudson, Julie London, and Jayne Meadows, with Emmett Kelley in his screen debut as an actor, and an uncredited Parley Baer.   Lloyd Bennett starred in an Australian radio version for 52 episodes from 1954-55.

Clark Andrews, who created Big Town, directed most of the ABC Radio shows, with Charles 
Powers helming the rest.  Most of the scripts were penned by mystery writer Richard Ellington; other contributors were Robert Sloane and Lawrence Klee.  Ed Begley co-starred as Sgt. O'Hara.  Other cast members included Betty Garde, Paul Stewart, Linda Watkins, Mary Pattern, Rolly Bester (wife of science fiction writer Alfred Bester), and Vicki Vola; Amzie Strickland played the Fat Man's girl friend, and Nell Harrison was his mother.

"The 19th Pearl" was the first episode of the show to be aired.  the Fat Man is at Grand Central Station when a beautiful woman comes up and gives him a hug and kisses him, apparently to distract a mysterious man who is following her.  This unusual short-lived encounter leads to pearls...and murder!

Enjoy.

https://www.youtube.com/watch?v=mSUIGL4B3sY

SHORT STORY WEDNESDAY: RUNAWAY

"Runaway" by Darrell Schweitzer  (first published in I, Vampire, edited by Jean Stine [Jean Marie Stine on the title page] and Forrest J Ackerman, 1995; reprinted in Schweitzer's collection Refugees from an Imaginary Country, 1999)

Lawrence is fifteen and is hitchhiking on a lonely highway in the cold, night rain.  Not a problem because the cold doesn't bother him.  He is carrying a knapsack.

Howard, an older man and a pederast, stops to pick him up.  Howard begins to interrogate Lawrence, whom he calls Larry.  Larry has no specific destination in mind, and begins to spin Howard a wild story.

Larry is running away from because his mother killed his father.  His mother imagined herself to be a witch and began doing weird stuff which his father did not like, so he would beat her mercilessly.  Seh and some of her female friends would hold meetings in the cellar.  From his bedroom, Larry would hear tortured noises -- a cat, or a dog, and once he thought he heard a baby.  Larry's  mother would emerge from the cellar, naked and covered in blood.  Then, Larry's father came home early one evening and was upset, so they killed him and took out his heart.  Shortly thereafter, Mr. Andrescu, a mysterious person who filled Larry with fear, started showing up.  Larry's mother called him down to the cellar, where Mrs. Walker, the lady from down the street, lay with her throat torn out and her heart missing.  Mr. Andrescu also lay on the floor.  Larry had to help bury Mrs.Walker, and place Mr. Andrescu in a box under the cellar floor.  the next day, Mrs. Walker and Mr. Andrescu were there again, seemingly uninjured.  Over the next few days, other members of the coven were killed -- Mrs. Dade and Mrs. Lovell and Mrs. Freeman and others Larry did not know -- and they all came back.  Finally, Larry's mother called him into the cellar one evening and Mr. Andrescu told him that he was saving Larry for last  as a favor to his mother.

As they were driving, they were passed through a bad accident scene by police.  Larry told Howard that two persons were killed, and third would die soon.

Howard stopped to ;pick up some food -- hamburgers and fries -- but Larry did not eat.  During the entire trip he kept reaching into his knapsack and touching...something.

It was about four in the morning when Howard stopped at a  motel and got a room for the two of them.  Howard was a little unsettled about Larry's wild story, but figures that Larry was displaying an odd sense of humor and was fabricating the tale, or that Larry was delusional.  No matter, because Larry was a very handsome boy.

But once they entered the motel room, Howard discovered what Larry had in the knapsack that he kept touching so lovingly...


A short, sharp bite of a story, originally published in an anthology of eleven vampire tales published in the first person.

Darrell Sweitzer (b. 1952) is a writer of dark fantasy and horror, editor, and critic.  He is the author of hundreds of short stories, at least fourteen collections, four  novels, eleven poetry collections, eleven books of criticism and bibliography, eleven critical anthologies, ten books of interviews, and nine fictional anthologies, and has edited two collections of short stories by Lord Dunsany.  He has been an editor of Weird Tales magazine and its successor, both singly and with others, from 1982-1986, 1987-1990, 1991-1994, 1994- 1996, and 1998-2007.  He and others won a World Fantasy Special Award in 1992, and has been nominated three other tines for the World Fantasy Award and once for the Shirley Jackson Award.  He won the Asimov's Readers Award for Best Poem in 2006.  Schweitzer was also Editor Guest of Honor at the 1997 World Horror convention. 

Tuesday, May 5, 2026

OVERLOOKED FILM: THE GHOST OF ROSY TAYLOR (1918)

Early Hollywood had its share of scandals, one of which was the unsolved murder of director William Desmond Taylor in 1920, which had a major effect on the careers of two of the era's brightest stars:  Mabel Normand and Mary Miles Minter, both of whom were suspects in the public's eye but neither was seriously considered by police.  The Tylor murder led to Normand's frequent drug use becoming known and her career went into decline until her death from tuberculosis a decade later.

Minter (1902-1984), born Juliet Shelby,  began her stage career at age 5; to avoid child labor laws while appearing in a play in Chicago in 1912, her mother obtained a birth certificate for her deceased niece from Louisiana, and Juliet became Mary Miles Minter.  Mary made her film debut in 1912 and starred in her first feature-length film, The Fairy and the Waif, in 1915 -- reviews of that film were positive:  "Mary Miles Minter is the greatest child actress to be seen either on stage or before the camera.  She is exquisitely fascinating, sympathetically charming, and delightfully childlike and human,"  Her career took off and she soon rivaled  Mary Pickford in the public perception.  Taylor first directed her in Anne of Green Gables (1919), and directed her in another three films before his murder in February of 1920.  Mary had fallen hopelessly in love with the director and claimed that she and the man who was thirty years her senior had a relation; for the rest of her life, she declared Taylor to be her "mate."  The reality of the relationship is in  doubt, and Taylor's friends claimed that he tried to put her off, being all too aware of their age difference, and Taylor was supposedly deeply in love with Actress Mabel Normand.  Nonetheless, romantic letters from Mary were found among Taylor's effects, which led the press to suspect a sexual relationship; perhaps the press were influenced by Mary's "marriage without benefit of clergy" at age fifteen to James Kirkwood, Sr., a film director who was twenty-six years her senior and already married -- that "marriage" ended when Mary became pregnant and her mother arraigned for an abortion.   Following Taylor's death Mary made only four more films, before the studio refused to renew her contract.  Despite offers from other studios, Mary retired.  In her career, Mary made 53 films, most of which are now lost to the sands of time.

So who really killed William Desmond Taylor?  The betting money is on Mary's mother, charlotte /Shelby, who has been describe as a manipulative and greedy "stage mother."  Her initial statements to the police were elusive and "obviously filled with lies."  In= addition, she owned a rare pistol and ammunition similar to that used to kill Taylor; following the murder, she reportedly threw the pistol into a Louisiana bayou.  Police never acquired enough evidence to charge anyone with the murder.


The Ghost of Rosy Taylor is a comedy-drama based on a short story by Josephine Daskam Bacon.  The film was written  by Elizabeth Mahoney, who wrote from 1917 to 1920 --  nothing else is known about her from that date.  It was directed by Edward Sloman, who directed over a hundred films between 1917 and 1938 -- perhaps the best known of these was A Dog of Flanders (1935).  Also featured ion the film were Allan Forrest, George Periolat, Helen Howard, Emma Kluge, Kate Price, and Anne Schaefer.

Minter plays Rhoda Eldridge Sayers, a penniless orphan who travels to New York to be a nursemaid.  when that position disappears, she finds herself in a boarding house with only seventeen dollars to her name.  After two weeks, she is down to just one dime when she finds a letter in the park addressed to Rosy Tyler; the letter contains two dollars and instructions to clean a New York mansion of Mrs. Du Vivier every week.  Rhonda tries to return the later and discovers that Rosy had died.  She decides to take Rosy's place and accept the job.  Things were going fine until Mrs. Du Vivier's brother sees Rhonda/Rosy cleaning the silver and thinks she is trying to steal it, and she is sent to a reform school.  complications ensue.


Critical reaction to the film was mixed, but film historian Paul O'Dell said, "The picture has quite unbelievable charm, and Mary Miles Minter makes us forgive her lack of acting talent, by the sheer beauty of her face."

See for yourself.

https://www.youtube.com/watch?v=zQIlJa1BY20

Monday, May 4, 2026

GET READY...

Tomorrow is Cinco de Mayo!  It celebrates Mexico's victory over the French at the Battle of Puebla in 1862.  Far more popular in the United States than in Mexico, it became popular here in the 1980s when beer, wine, and tequila advertisers began celebrating it -- and Americans will always fall in line for good advertising campaigns.  Today, beer sales on Cinco de Mayo rival those on Superbowl Sunday.  The holiday also gives us an opportunity to pay homage to a great Mexican-American culture -- great food, great music, and a great history.  In these perilous times it is good to be reminded of something positive.

Nothing says Mexican music more than the joyous rhythms of mariachi.  Here are some examples to get you ready for tomorrow's celebrations.


First we have a compilation of twenty-five great songs, paired with a visual tour of Mexico:

https://www.youtube.com/watch?v=uoXh_CzAo10


Followed by seven instrumental folk songs:

https://www.youtube.com/watch?v=SyjHTYF-4H0


Mariachi Divas de Cindy Shea was the first all-female mariachi ensemble to win a Grammy Award.  Here is their innovative and electrifying performance at the 11th Annual International Mariachi woman's Festival  in 2024:

https://www.youtube.com/watch?v=HE-2JXIar3A


You may happen upon me celebrating Cinco de Mayo tomorrow.  I'll be the one saying, "Dos Equis, por favor."

Sunday, May 3, 2026

HYMN TIME

 The Rev. T. T. Rose.

https://www.youtube.com/watch?v=oqc9BQihB24

Friday, May 1, 2026

THE HAWK #2 (SUMMER 1951)

 

The Hawk is Bob Hardie, "Fighting Marshal of the American Desert"  and the "Scourge of Desert Badmen."  "He strikes with the speed and accuracy of the hunting falcon, with the grim silence of the bird of prey after which he is named."  The title appeared briefly (three issues) from Ziff-Davis, then for another eight issues, plus a special 3-D issue, from St. John. ending in May 1955.  The book was noted for decent storylines and excellent artwork.

  • "Secret of the Sands" -- "An old prospector is fleeced of the gold he carries when two crooked gamblers use a marked deck to cheat him -- and The Hawk explodes into action!  A grim trail of death and robbery stretches across the desert wastes of the Southwest before The Hawk rips away the veil shrouding the secret of the sands!"  The bad guys go to the prospector's cabin to steal what gold he had left, leaving the old man for dead.  By the time The Hawk catches up with them, he learns that the prospector has had the last laugh.
  • "Desert Gunsmoke" -- "In the desert country, where water is precious as blood, the small ranch owners struggle for their very existence against the greed and ruthlessness of cattle baron Jeff Driscoll!  And when Driscoll's brutal tactics are challenged by a lone girl, it becomes The Hawk's fight, and bullets mingle with desert gunsmoke."  I found it interesting that the townspeople have names like Kansas, Tex, and Laramie, and the ranch hand is Slim, because there's always a Slim.
  • "Iron Caravan of the Mojave" -- "Like a wounded animal scurrying for cover, a chugging locomotive hurtles across the desert.  Its throttles wide open, it makes a desperate bid to outdistance a swarming horde of attacking Apache Indians..."  {SPOILER:  The train lost.}   But was it Apaches?  The Hawk does not think so.  Hmm, could have the rival Mesa Stagecoach Company, run by the viscous Dude Mullions, disguising his men as Indians?
  • Also, "Hopi Hero" -- When cavalry man Sam Watt's troop is attacked  by the Navajo, everyone is killed except for Sam who is left for dead.  He is found by the Hopi and nursed back to health.  Then the Navajo attack the Hopi village, the peaceful Hopi have no one to lead them in the fight.  No one, that is, except for Sam.  "The annals of the United States Cavalry are silent concerning Sam Watt's exploits, but his story is still told around the council fires of the Hopi.
Plus the requisite amount of fillers.

An interesting issue.

https://comicbookplus.com/?dlid=6251

Thursday, April 30, 2026

FORGOTTEN BOOK: APACHE RISING

Apache Rising by Marvin H. Albert  (first published in 1957; reprinted as a m0vie tie-in titled Duel at Diablo, 1965; reprinted this month in paperback and e-book as Apache Rising under Stark House Press's Whipcrack Western line) 

For those interested in a fast-moving western with a tight plot and well-drawn characters, it's hard to beat the eleven paperback originals published by Mavin H. albert under his own name and as "Al Conroy" between 1956 and 1965.  Apache Rising, the second of these, is a tough and realistic example of how good albert was at his craft.

Jess Remsberg is a frontier scout on a mission -- finding and killing the man who murdered, raped, and scalped Jess's beloved Comanche wife, Singing Sky.   Jess has searched for years  but has not found any clue to who had killed his wife, until his friend Lieutenant Gil McAllister, came across Signing Sky's scalp displayed at a sutler's in Fort Duell; the scalp had a silver streak along the black hair, and a tiny silver bell attached to it -- there could be no doubt that it belonged to Jess's wife.

On his way to meet McAllister, Jess had rescued across a lone woman in the desert being stalked by two Apaches.  The woman was Ellen Graff, the wife of a local freighter who had been kidnapped by the Apaches several years ago.  She had been taken as a wife by the son of the powerful chief Chata and had born a son by him.  When the army raided Chata's camp, Ellen was knocked un conscious and -- recognized as a white woman by the soldiers because of her red hair -- was brought back to her husband who had given her up for dead and had moved on with his life, hoping to marry another woman.  Ellen's child had been unknowingly left at the Indian camp.  Graff resented Ellen for not killing herself while in captivity and for giving birth to an Apache baby; the mere presence of Ellen back in his home has severely damaged Millard Graff's personal and business reputation.  For her part, all Ellen wants to do is find her child.  She had run away and was crossing the desert to that when Jess rescued her.

The raid on Chata's camp had all but destroyed Chata's band of warriors.  With a few survivors, Chata made it to the Mexican hills to regroup as renegade Indians slowly made their way from reservation=s to join him.  It is now suspected that he has gained enough warriors to regain his war against the hated white men.  If Chata makes it across the order and past the army stationed at Fort Duell to the Mogollon Rim, he will have an impenetrable stronghold from which to wreak terror along Arizona, New Mexico, and Texas.  McAllister is in Fort Creel next to the town of Avalanche to receive a shipment of four wagons full of ammunitions due at distant Fort Duell.  McAllister will have twenty-five soldiers with him to protect the shipment, but he is concerned that Chata might emerge from Mexico if he learns of the shipment of ammunition.  McAllister asks Jess to scout for him.  Jess, anxious to reach Fort Duell himself to question the sutler who had his wife's scalp, agrees.  Joining McAllister's group is Graff, who is bringing a wagon of goods to sell at the fort, and a gun-toting gambler named Toller, looking to relieve some long-isolated soldiers of their cash.

As the expedition heads out, Jess learns that Ellen has stolen two horses and has headed back into the desert in search of her son, and that Graff could care less.

Scouting ahead of the main party, Jess discovers Chata has crossed the  border and is nearby with a force twice the size of McAllister's.  He also discovers that Ellen has been captured by Chata's men.  Chata's son -- the one who took Ellen as a wife -- is dead and Chata is determined to keep Ellen alive until he reaches hos son's grave, where he will bury Ellen alive with him.  Jess also comes across the remain of a party of settlers -- men, women, and children -- who have been butchered by Chata's men.

Rather than turn back until he can get reinforcements, McAllister decides to attack Chala and stop him before any other settlers get hurt.  (And, if McAllister is able to stop Chata, it would not hurt his chances for promotion.)  But Chata is a skilled and wily battle leader, and the desert is a remorseless place for white men, but the Apache seem to know every square inch of it.  Surprise attacks, bad luck, and a lack of water combine to whittle down McAllister's forces.  McAllister's only hope is to get a message to Fort Duell for rescue, unaware that the messenger has been staked out and tortured  by the Apache.  No help is coming.

While Chata's men are attacking the McAllister, Chatoa's camp in a protected canyon has only women, children, and old men left, allowing Jess to sneak in and rescue Ellen and her child.  The smart thing to do would  be to bring Ellen and the child to Fort Duell, but to do that would be to abandon McAllister and his men.  Jess and Ellen fight their way back to McAllister, who has been left with just a handful of survivors.  McAllister has just one wild hope for survival while he sends Jess on a near suicidal mission to get help from Fort Duell.

The suspense never lets up and both the action and the setting are vivid.  Jess, of course falls in love with Ellen, and is torn between his feelings for her and the memory of his dead wife.  Complicating things is that Jess learns -- late in the novel -- that the man who murdered Singing Sky was Ellen's husband.


A fast and totally satisfying read.  Whipcrack Books, a new imprint from Stark House, was wise to choose this lone as their first release, biding well for the future of the line.

A word about the film, which was also scripted by Albert.  The movie starred James Garner, Sidney Poitier, and Bibi Anderson.  This was Poitier's first western and the film was directed by Ralph Nelson, who had recently directed Poitier in Lilies of the Field.  Poitier portrayed Trotter as a former Buffalo Soldier, rather than an itinerant gambler.  No mention was made kin the film of Poitier's color -- a wise decision, IMHO.  In the film, the final stand-off took place in Diablo Canyon; in the  novel the name Diablo was never mentioned, which must have left readers of the tie-in version scratching their heads.  As with the novel, the film is also visually graphic in its violence and scenes of torture -- something that was rare at that time.


Marvin H. Albert (1924-1996) began his writing career for Quick and Look magazines, moving into novels in 1952 with The Road's End, published as  by "Al Conroy."  with the success of his first western, The Law and Jake Wade, he became a full-time writer, eventually publishing more than eighty-five novels under various names, mainly in the crime, mystery, detective, suspense, adventure, and western fields; this number includes twenty-five film and television novelizations.  Albert also scripted at least five major films.  His 1975 suspense novel The Gargoyle Conspiracy was nominated for an Edgar.  He may be best remembered for a series of novels featuring private detective Pete (Pierre-Ange) Sawyer and for his Tony Rome novels, which were the basis for several films starring Frank Sinatra. 

No matter under what name or what genre, Marvin H. Albert always provided entertaining, exciting reading.