Small House of Everything

Small House of Everything

Sunday, May 5, 2019

WESTERN ADVENTURES #1 (OCTOBER 1948)

The premiere issue of Ace Comics' Western Adventures features two stories about Bud Steele, The Cross-Draw Kid.  The Kid was created by Max Elkan and was the featured hero of eight adventures in all six issues of the comic book.  As a boy, bud watched his father gunned down by a bushwacker.  "[S]trapping on his father's guns, he took a vow to rid the west of all killers.  Years of intense practice perfected for him the lightning cross-draw which makes the fastest gunman seem to be slow-dragging his irons."

We first meet the Kid (flaming red hair and broad shoulders) after Patch-Eye (weasel-faced with a receding chin) , a rustler and murderer, is brought before a "hanging judge" who strangely dismissed the case against the villain despite the evidence.  Patch-Eye celebrates at the local saloon, inviting all to drink.  The Kid calmly refuses the offer, irritating the quick to anger killer.  The Kid executes a nifty martial arts move while seated at a chair, wrapping his legs around Patch-Eye's neck and flipping him across the saloon.  Patch-Eye charges at the Kid and the Kid beats the snot out of him.  Later the Kid rescues the judge's daughter who had been kidnapped and used as leverage against the judge.  A final showdown leaves Patch-Eye dead, his gang captured, and the Kid riding into the sunset and laying a harmonica with the judge's thanks for bringing law and order back to the town. 

"Injun Gun-Bait" has the Kid saving the daughter of a miner from a gang of killers determined to stop her from registering her father's mine.  In the last panel the Kid again rides off, playing his harmonica.

In "Double Trouble," Duke Buckland is framed by his enemies and forced to join a gang of bad guys who want to take over the Lazy C ranch.  We just now those silly bad guys will get their comeuppance, that Duke will avoid the law determined to catch him, and that Duke will ride off, leaving the starry-eyed rancher's daughter sighing in disappointment.

"Sheriff Sal" has Sally Starr appointed sheriff of the frontier town of Red Dog.  (The sleepy town is so quiet that no man wants the job, you see.)  When word got out that Red Dog had a gal sheriff, outlaw Nueces Callan the town's bank would be easy pickings for his gang.  The moral of this story is never underestimate the power of a sharp-shooting woman showing a lot of leg and wearing a fashionable red cowboy hat and riding a spirited horse named Big Red.  #womanpower  #didialreadyhashtagwomanpower

Also in this issue, "Sam Bass, the Two Gun Terror of Texas" (a 7-page biography of the real-life outlaw), "Slaughter on the Fourth of July" (the real-life story of outlaws Rattlesnake Jake Fallon and Longhair Owens and their 1884 murderous spree in Lewison, Montana), and a 2-page text story, "The Lost Bonanza" (another true story of the West).

All in all, a pretty impressive issue.  Too bad the title lasted only six issues.

Enjoy.


USIC FROM THE PAST: HALF HEAVEN, HALF HEARTBREAK

Gene Pitney.


https://www.youtube.com/watch?v=MMzzQQRFsQI

Friday, May 3, 2019

FORGOTTEN BOOK: THE GREEN ODYSSEY

The Green Odyssey by Philip Jose Farmer (1957)

Philip Jose Farmer (1918-2009) didn't quite burst on the science fiction scene with his first published story, but it was close.  He actually burst on the scene with his second published story, "The Lovers", which told of a human's affair with an alien.  For the time -- 1952 -- it was a bold departure from the nearly puritan SF that had preceded it.  Imagine.  A story about S-E-X.

Sex has played an important role in Farmer's work, so when his first published novel, The Green Odyssey, appeared and there was a decided lack of expected sex, a number of Farmer's readers were disappointed.  As were some of the critics.  "Here's a disappointment...The story winds up in a blaze of Tom Corbettism...The whole thing is miserably dull and must have been drudgery to write..." (Damon Knight, Infinity November 1957)   "Galaxy's Floyd C. Gale was a little kinder.  "At first glance, this would seem to be a routine space opera...The Farmer boy is big handsome, blond and strong...He is also lazy, cautious to the point of timidity and not very bright...[Farmer] almost makes a mish-mash of the ending, but doesn't."  (January 1958)  Astounding's P. Schuyer Miller (also January 1958) compares The Green Odyssey with his story 'The Lovers', despite the fact that he had never read the earlier story!  "I must be about the only fan now alive who is not either enthralled or appalled by the publication of Philip Jose Farmer's "The Lovers" back in 1952.  The reason's simple:  I've never read it...The book that Shasta promised never appeared*...The Green Odyssey is, therefor, the author's first book in print--and I still don't know what all the shouting is about...'Rollicking science fiction adventure' the blurb calls it:  'uproarious'...'hell-bent'...'swashbuckling'...'sheer fun.'   These it is not, although it could have been.  What was with 'The Lovers' that blew up such a storm?"   Of all the SF critics, Anthony Boucher had a distinctly opposing view:  "Wonderfully lusty and roistering adventure story, with a shrewd hero, a magnificent heroine, and accurately inserted s.f. details -- one of the yer's most entertaining tales."  (The Magazine of Fantasy and Science Fiction, October 1957)

I'm in Boucher's camp.  I found the book to be an amusing, well thought out satire on the planetary adventure tales that have littered the SF landscape for years, the type of book on which L. Sprague de Camp built his reputation.  Farmer was never all about sex, despite what many of his early fans believed.  Farmer was about having fun.  He played with things that greatly interested him:  pulp novels, popular movies and books, approaches to religion, puns, and (of course) science fiction.

In The Green Odyssey our hero is Alan Green, a marooned spaceman on a distant planet.  About one in four inhabited planets that mankind has discovered have human inhabitants.  (Farmer toys with why this is, but wisely does not tell us.)  Anyway, the planet on which Green crashed is a human, albeit a sort of feudal, one with various religions and a strong belief in witchcraft.  Green had been captured and put to work as a slave, eventually working his way up dogsbody for the local duke.  Green's duties include being a not-so-secret lover to the duchess, something that was tacitly approved by the duke and was common knowledge (nudge nudge wink wink).  Appearances are all -- if the affair became blatantly public, the duke would have to act and Green would be executed, as were a umber of the duchess's former lovers.  Green was also given a wife, a sharp-tongued beauty of a slave who already had four children by three men and soon had her fifth with Green.

The planet was so isolated the thought of another spaceship landing was remote.  The inhbitants of that planet believed they were the only ones in the universe; the thought of someone coming from another planet was ridiculous.  But the impossible happened.  Rumors of two men who claimed to have come from outside and who were held captive as demons in a country across the wide sea; according to local custom, the prisoners would be held for two years before being executed.  This was Green's chance:  if he could escape, somehow free the two captives, he might be able to leave the planet on their spaceship and return to Earth.

But the planet was alien.  The sea was not a sea.  It was a vast thousands-mile-long flat field of grass and was traversed by daring sailors in wheeled windjammers.  This large plain of grass was inhabited by fierce animals, violent natives, pirates, moving mounds of dirt, and rumored monsters.  (If you wanted a large body of water you had the ocean, which was nowhere near the sea of grass.)

Green's plans to escape did not include his wife Amra, nor his children.  His wife would never adapt to Earth life and would be better off remaining where she was, he reasoned.

Green's plan of escape soon went belly up and he found himself a wanted fugitive.  When he finally managed to get aboard a ship and sail way from the city, he found Amra and the five children already aboard.  did he really think that he could leave without them?

And so starts his odyssey, along with its concurrent dangers -- cannibals, pirates, and, um, giant lawnmowers.  Green is a reluctant but likable hero and Amra is kickass.  Great fun all the way!

The Green Odyssey is nowhere near as canonical a Farmer work as his World of Tiers, Riverworld, Dayworld, or Wold Newton novels but that is minor quibbling. 

Highly recommended.



* Farmer won a novel writing contest sponsored by Shasta Books with his book Owe for the Flesh, written in one month in 1952.  Shasta, the contest, the $4000 prize, and the promised publication of the book all vanished when Shasta went belly-up, causing Farmer severe financial hardships and curtailing a full-time writing career for years.   The manuscript was lost, but Farmer reworked the concept as his Riverworld series, beginning in 1966.  A revised version of Owe to the Flesh was discovered years later and published in 1983 under the title River to Eternity.

Thursday, May 2, 2019

MUSIC FROM THE PAST: I'VE GOT A GAL IN KALAMAZOO

This was the Number One song when The Great Gildersleeve first aired.

The Glenn Miller Band with Tex Beneke, Marion Hutton, and The Modernaires, from the film Orchestra Wives.

Special bonus:  This clip also has a fantastic dance routine from the Nicholas Brothers.


https://www.youtube.com/watch?v=fFv_PoZ2iP0

THE GREAT GILDERSLEEVE: FIRST COLD SNAP (OCTOBER 11, 1942)

In radio's first true spin-off series, our hero Throckmorton P. Gildersleeve has left the quiet town of Wistful Vista, where he had been the perfect foil of Fibber McGee, to the town of Summerfield (somewhere in Radioland) to become the town's water commissioner.

Harold Peary (1908-1985) began his radio career in 1923, eventually gaining his own local (San Francisco) show as a singer in The Spanish Serenader.  He moved to Chicago in 1937, and the following year began to play the prototype of his most famous character in the popular show Fibber McGee and Molly; the character had several first names and occupations before he became Throckmorton P. (the P. stood for Philharmonic) Gildersleeve, McGee's neighbor and owner of the Gildersleeve Girlish Girdle Company.  (Incidentally, somewhere along the journey, he lost his wife -- referred to but never seen on Fibber McGee and Molly -- and became a bachelor with guardianship of his niece and nephew, Marjorie and Leroy Forrester,the orphaned children of his late brother-in-law.

The Great Gildersleeve ran on NBC radio from August 31, 1941-June 2, 1954.  Regular characters included Birdie (the black cook and housekeeper, who as the series progressed became more intelligent and the one person who kept the household running as smoothly as possible #letsslowlychangestereotypes), Judge Horace Hooker (neighbor and executor of Gildersleeve's brother-in-law's estate #enemiesatfirstthenfinallyfriends), druggist Richard Q. Peavey, barber Floyd Munson #explain to mewhysomanybarbersarenamedfloydwilltouandyofmayberry), and police chief Donald Gates.

Over the course of the series, Gildersleeve almost got married three times, to Martha Scott, Jeanne Bates, and Kathy Lewis.  Speaking of marriage, niece Marjorie grew up and, during the ninth season, married Walter "Bronco" Thompson, played by Richard Crenna (#explaintomewhysomanyteenageradioboyfriendswerenamedwalterwouldyoumissconniebrooks).

Gildersleeve's far-less-than-perfect secretary Bessie was played by the real-life future Mrs. Harold Peary, Gloria Holiday.

The Great Gildersleeve was most popular during the 1940s. In 1950 Harold Peary tried to move the show to CBS, but the sponsor, Kraft Foods, balked.  Peary had already signed a contracted with CBS which forbade him to star on NBC.  NBC still held the rights to the show and the Gildersleeve name, so Willard Waterman became the new Gildersleeve.  CBS place Peary in a show similar to Gildersleeve with the names changed, but that show lasted only one season.  By 1952, long-time popular characters vanished for months at a time and newer characters were tries out -- most lasting only a month or so.  The show morphed into a one-note bore, concentrating on Gildersleeve's love life.  In 1954, NBC's fall schedule begin with Gildersleeve.  When it finally appeared that November, gone were the original scripts, the live audience, the orchestra, and the thirty-minute format.  In its place was a five-times-a-week, fifteen minute program featuring only Gildersleeve, Leroy, and Birdie.  Sic transit gloria mundi.

During the show's heyday, Peary also starred as Gildersleeeve in four movies from 1942-1944.  Earlier, Peary was featured as Gildersleeve, along with Jim and Marion Jordon as Fibber McGee and Molly, in two films, Look Who's Laughing (1941) and Here We Go Again (1942).  Peary also issued three children's record albums narrating fairy tales "told in his own way by the Great Gildersleeve.  Also as Gildersleeve, Peary released a 78 record of Dr. Suess's Gerald McBoing-Boing.

A 1955 attempt to move The Great Gildersleeve to television with Willard Waterman in the title role lasted only 39 episodes.

At one time The Great Gildersleeve had been one of the brightest comedy programs on radio.

This episode was the show's 51st (out of 551).  Enjoy.


https://www.youtube.com/watch?v=EKGVCLSaZFs