Jo-El Sonnier.
https://www.youtube.com/watch?v=6Y9H3kKWkeM
This one gets a bit confusing, and not just because the contents description at the link is for an entirely different comic book. And, although the link says the issue is from May 1938, this actually seems to b=e a reprint of Sheena, Queen of the Jungle #6 from Spring 1950.
Sheena was basically a female version of Tarzan. Sheena is the young daughter of Cardwell Rivington, an African explorer who died after accidentally drinking a magic potion. she was then raised by the witch doctor Kobo, who taught her the ways of the jungle and several African languages. Sheena is skilled with knives, bows, and spears, and is able to communicate with animals. As an adult, she becomes the Queen of the Jungle and acquires a pet monkey named Chim. Sheena's "mate" is white safari guide Bob Reynolds (his last name changes over the years). According to comics historian Jess Nevins, over the years Sheena has battled "hostile natives, hostile animals, giants, a super-ape, the
Green Terror, saber-tooth tigers, voodoo cultists, gorilla-men, devil-apes, blood cults, devil queens, dinosaurs, army ants, lion men, lost races, leopard-birds, cavemen, serpent gods, vampire-apes, etc." Suffice it to say, Sheena is one tough lady.
Sheena is modeled in part on Rima, the Jungle Girl, from William Henry Hudson's 1904 novel Green Mansions. According to Will Einsner, who has been credited with creating the character with Jerry Iger, Sheen=a's name was derived in part from H. Rider Haggard's novel She; Iger disputed this, saying that Eisner was not involved in the character's and that he got the idea from the word "sheenie," a derogatory term for Jews. (Eisner and Iger had a sometimes contentious relationship.) Iger's Universal Phoenix Features, which created various comics for syndication, came up with the character (drawn by Mort Mesklin) for Editors Press Service, which sold the first Sheena story to the British comic book Wags, where it appeared in issue #46, January 1938. To disguise the fact that Universal Phoenix Features consisted only of Iger and Eisner, the pseudonym "W. Morgan Thomas."
In America, Sheena first appeared in Jumbo Comics #1, September 1938, from Fiction House. the feature appeared in every issue of Jumbo Comics, ending with the April 1953 issue. She gained her own title in 1941 with the first issue (of eighteen) of Sheena, Queen of the Jungle, dated Spring 1942 -- making her the first female comic book character with her own title -- edging out Wonder Woman, who first appeared in a Summer 1942 issue.
Later on, Sheena would be rebooted and reimagined and given supernatural powers, as well as the iconic two-piece leopard outfit many associated with her. But, for now, she is still wearing the one-piece skimpy leopard skin dress that has served her well for many adventures (I should note that in the original story, the character wore a red dress, but a red dress does not a jungle queen make).
This issue gives us three adventures of Sheena, two apparently original and one reprinted from Jumbo Comics #63. In the first, Sheena rescues Kazembe, the chief of the peaceful Basuto tribe. An evil white man, Kessler, and the fierce Dango tribe have overpowered the Basuto. Kessler is not afraid of sheena because his magic fire spear (rifle) never misses. silly man.
In the second episode, Bobtail, the king of f6ang and claw and a tawny terror, has been terrorizing the territory so Sheena has set a trap for the killer lion. In the meantime, an Egyptian prince has started a hunt for a lion, unaware that several of his servants plan to kill him so a rival can come to power. Sheena puts a halt to that plan -- actually bobtail does, by killing the man bad guy who was about to kill Sheena. Then, simply because there are more pages to go in the story, Sheena stumbles upon a safari under attack by normally peaceful Cheetahs. Turns out the great white hunter of the safari had killed a cheetah just for fun and that peeved off the other cheetahs. Turns out the bad hunter is in search of a pygmy tribe that can magically change the size of animals, either larger or smaller -- power like that could be worth a fortune in the right unscrupulous hands. Sheena and Bob are captured, left to die, escape, fight a giant warthog, chase the bad guys down the river, capture all but the bad hunter, who escapes and then is caught in a bear trap that Bob set for Bobtail. Bobtail lives to fight another day. this is the story that was a reprint.
In a two-page text story, Lady Beddington-Smythe, a noted sports huntress tries to shoot Chim. Sheena warns the huntress off, but as an Englishwoman, Lady Beddington-Smythe does not take orders from a...a savage! Sheena has to call in Simba the lion to convince her otherwise.
The final story sheen=a comes across a wounded man who is under attack by a pack of gorillas. The man, who had been shot, mutters something about the lost city of the Portuguese before he slips into unconsciousness. The evil Taluki has captured Bob and will kill him unless Sheena leads him through the swamps to the lost city. The lost city is actually an ancient castle with a treasure room of gold along with the long-dead bodies of ancient Portuguese soldiers. Bob reappears and he and Sheena defeat Taluki's men. Taluki escapes with some gold, but without Sheena to lead him back through the swamp, he falls into quicksand and gets sucked up. Once again there is peace in the jungle.
Better than many of the other comic books of its time. BTW, the cover has absolutely nothing to do with any of the stories within,
Enjoy.
https://comicbookplus.com/?dlid=97636&comicpage=&b=i
The Mouse on the Moon by Leonard Wibberly (1962; filmed in 1963 and directed by Richard Lester)
I seldom re-read books, but, by coincidence, I recently read several science fiction books about the early days of the Space Race and I felt an overwhelming urge to revisit one of my favorites.
If you ask me what country, aside from my own, I most respect, the answer, hands down, would be thee Duchy of Grand Fenwick. I say this merely because I am a rational man and have a great love for humanity,
For over six centuries, the Duchy of Grand Fenwick lay nestled in the northern Alps, snugly located between France and Switzerland. It is the smallest country in the world with a population of just over five thousand people. Proud of its ancient heritage, Grand Fenwick disdains almost all modern appurtenances -- there no phones, no cars, no telegraph, and -- to the ire of the Count of Mountjoy, the country's prime minister -- no indoor plumbing. (The count really wished he could take a warm bath.) It's army carries only longbows as weapons, through both tradition and inclination; the only other weapon in its arsenal is a dusty, unused Q-bomb -- a powerful device invited by the Grand Fenwick's sole scientist, the absent-minded Dr. Kokintz, whose experiments are often interrupted by bird watching excursions Grand Fenwick's feeble economy is supplied by sheep and wine (specifically, Pinot Grand Fenwick, a superb wine). The country is ruled by the regnant Duchess, Gloriana XII, "a somewhat young willful lady of twenty-three," but nonetheless truly loved by all.
The trouble began when Gloriana decided she wanted a full-length Russian ermine coat, one more suitable for her position than her regular cloth coat. The coat Gloriana wanted would cost $50,000, equal to or perhaps more than the country's entire budget. She tasked Mountejoy with the problem of getting her the coat. Mountejoy had for years been unable to convince the Council to provide funds for indoor plumbing; how can he convince them the spring for such an expensive coat? At the same time, two bobolinks were spotted in the Duchy's national forest, which was about twenty acres smaller than Winnie-the-Pooh's hundred acre wood...
In the first book in the series, The Mouse That Roared, Mountejpy had devised a plan to increase the Duchy's coffers. He declared war on America and invaded the country with Grand Fenwick's standing army (all twelve of them, armed with long bows). The plan: invade on Monday, lose on Tuesday, and America will provide funding to rebuild Grand Fenwick's war-torn economy by Friday. That plan did not work out because Grand Fenwick somehow won the war. Still, Mountjoy -- who had been hearing of th space race between America and Russia to be the first to reach the moon -- decided to try again. He wrote a letter to the Secretary of State requesting a loan of $5,050,000 -- five million for the Duchy's non-existent space program and $50,000 for a fur coat. The State Department rightly believed that the five million would actually be spent on plumbing (and were a little confused on the fur coat part), but decided a gesture would make for good publicity over the Russians. But five million was an embarrassing sum, so they upped to fifty million for the supposed space program, and made the entire amount a gift, rather than a loan.
Mounntejoy was a politician and believed in deception rather than honesty. The people of Gran Fenwick, however, were not politicians and believed in honesty. If the money was not used for a rocket to the moon, they would return it. After much haggling it was agreed that the original five million would be spent on plumbing and the rest on the as yet non-existent space program.
About those bobolinks, which are native to northeastern North America and have never been seen in Europe... Dr. Kokintz went out and took some photographs to show to the Audubon Society but, when developed, the photographs were blurred, which led to the discovery of the startling properties of Pinot Grand Fenwick. In short, the wine was the key to atomic rocket power. There was now no reason Gran Fenwick could not start its own moon landing project.
The problem was the rest of the world did not believe Grand Fenwick was serious. Not, that is, until the rocket launched carrying Dr. Kokintz and Vincent Mountjoy to the moon at a leisurely pace of a thousand miles an hour. Russia and American scramble to launch their own rockets to get to the moon first and declare it in the name of their own countries...
A truly funny, truly biting satire on world politics. Like me, you'll be rooting for little Grand Fenwick. And, yes, the bobolinks filled their nest with four eggs, and four tiny bobolinks were added to the world at the book's end. Yay!
Here's a clip from the 1963 film. (Sorry, the full movie is behind a paywall.) The film stars Margaret Rutherford, Ron Moody, Bernard Cribbins, David Kossof, Terry-Thomas, and June Ritchie.
https://www.youtube.com/watch?v=9yqZzPV5V7k
Currently reading The Return of the Maltese Falcon by Max Allan Collins, so I thought it would be fun to check out Sam from radio's Golden Age, with Howard Duff as Spade and Lurene Tuttle as Effie.
Enjoy.
https://www.youtube.com/watch?v=JbeDuJKqeHo&t=3s+
"Kid Cardula" by Jack Ritchie (first published in Alfred Hitchcock's Mystery Magazine, June 1976; reprinted in Alfred Hitchock's Anthology #2, Spring/Summer 1978, also published in hardcover as Alfred Hitchcock's Tales to Take Your Breath Way, 1977; in Fantastic Creatures, edited by Isaac Asimov, Martin H. Greenberg, & Charles G. Waugh, 1981; in Alfred Hitchcock Tales of Terror, edited by Eleanor Sullivan, 1986; in Fantasy Stories, edited by Andrew Goodwyn, 1991; and in Ritchie's collection Cardula and the Locked Rooms, 2026.
Okay, so the guy's a vampire but neither he nor the author nor Cardula's loyal servant Josef ever mention it directly; neither, it seems do any of Cardula's clients -- and no mention= was ever made about any possible anagrams of Cardula's name. Ritchie wrote nine stories about Cardula, who becme a private investigator in the second story, with office hours from 8 PM to 4 AM, depending on the solstice.
"Kid Cardula" was the first story in the series. Cardula is broke and needs rent money. (Later in the series we learn that he was once very rich but most of his monies were invested in extensive holdings in such countries as Cuba, the Belgian Congo, Lebanon, Angola, and Bangladesh...areas that turned nout to be very poor investments at the time.) Through reading the sports pages, he learned that there was a great deal of money to bade in boxing for very little (for him) effort. Cardula, pale skinned, of an uncertain age, and dressed all in black, went to Manny, a local gym owner and boxing manager and offered his services.
The easiest way to get rid of this guy was to put Cardula in the ring against a professional boxer who would make short work of him. The boxer hit Cardula with a couple of powerful punches to no effect. Then Cardula struck out with a left that was so fast one could hardly see it, and with that one punch knocked his opponent unconscious. Manny began to see dollar signs. Cardula had one condition, however: he would only fight at night, claiming he suffered from a case of photophobia.
Cardula's first professional fight was against a rising fighter named McCardle. McCardle was just a few matches shy of the big time and his scheduled opponent was scratched due to illness. McCardle needed an easy opponent at the last minute and Cardula appeared to fir the bill. When the fight weas held, however, Cardula knocked McCardle out. The fight lasted nineteen seconds, including the count.
After that, Manny convinced Cardula to stretch his matches out and not to go for the knockout so early ion the game. He even talked Cardula into faking being knocked down a couple of times before wining a match. Things were going good. Cardula's rent was paid, he kept winning matches, began to get a local reputation, and even attracted the interest of a number of curious women -- none of whom he paid much attention to. Until...
Cardula told Manny he was quitting the ring and was marrying a very rich lady who had expressed more than an interest in him. Since she had money, he no longer needed to earn money boxing. What really happened, though, was that Cardula's distant overseas relatives learned of his boxing career and his growing reputation and advised him to stop. It was always best for Cardula to "fly" under the radar.
Poor Manny. His dream of riches managing Cardula had vanished. But in leaving, Cardula left Manny one final gift in appreciation...
Jack Richie was a master of the criminous short story with never an extraneous word or a word lout of place. His stories often have a slight humorous bent and an unexpected ending. I have mentioned before that I feel he was second only to Edward D. Hoch in ingenuity, plot, and originality. Cardula and the Locked Rooms -- which contains all nine Cardula stories, plus six additional "impossible" crime stories -- is only the sixth Ritchie collection to appear; he wrote over 500 stories so there are still a lot of gold nuggets to be mined. As you go through life, a simple rule of thumb is never pass up a Jack Ritchie story.
Th June 1976 issue of Alfred Hitchcock's Mystery Magazine (also including stories by Lawrence Block, Nelson DeMille, Kay Nolte Smith, Joyce Harrington, and others) can be found here:
https://s3.us-west-1.wasabisys.com/luminist/PU/AHMM_1976_06.pdf
We lost one of America's greatest actors this week. Even before his noted portrayal of Boo Radley in his first film, To Kill a Mockingbird, Robert Duvall was giving some great performances on television, as in this 1962 episode of Alfred Hitchcock Presents. Directed by John Newland from a "Max Franklin" (Richard Deming) story adapted by Robert Bloch, Duvall plays Bart Collins, a struggling actor who accidently kills a rival for a part. Now what can he do with the body -- especially that pesky head? Charles Robinson plays the unlucky victim; Carole Eastman plays Duvall's girlfriend; and William Schallert is the cop who investigates.
Enjoy.
https://archive.org/details/alfred-hitchcock-presents-s-7e-1-colorized-sd/alfred+hitchcock+presents-s7e14shrt-colorized-sd.mkv
Alas, Big Tex wasn;t big enough to make past its first issue.
Tex White is new to the town of Gambler's Gulch, which is under the thrall of a murderous snake named Blackjack Wells, who has a habit of shooting people in the back for no reason. Wells, just to show how much he likes killing, has ;painted his gun red. Tex enters the town just after Wells has shot Clem Watkins from behind. This gets the townspeople mad; the most vocal is local gambler Jeb Sykes, who is accusing the old sheriff of not getting his job done. We soon learn, long before everyone else in town does, that Sykes is in the pay of Wells, who wants him to rally the townspeople against the sheriff and force him out of his job. Seems the sheriff is just too honest for Wells and his gang. The sheriff's feisty daughter , Miss Val, is the local school marm and she calls Sykes nothing but a tinhorn gambler. Sykes calls Miss Val a little she-cat and grabs her. Well, grabbing a school marm is against the code of the West -- especially if the school marm is a pretty blonde who wears very tight shirts over some very pneumatic assets -- so Big Tex clocks him. That's enough for the sheriff to ask Tex to be his deputy because he is short-staffed, especially after Wells killed the last deputy.
A little later, after Tex is all sworn in, some school kids playing hooky overhear Blackjack and his gang plan to rustle the longhorns in the valley while one of Balckjack's gang shoots up the dance hall in town to distract the sheriff. The kids go running to Miss Val, who% goes running to her father and Big Tex. The three of them set up an ambush for the gang but it is spoiled when a mountain lion attacks Big Tex and the sheriff shoots it, warning the bad guys. The cattle stampede and the gang is about to be crushed under their hooves when Big Tex takes aim and shoot the lead cow. The gang is caught, but Tex decides to fight Blackjack himself. Turns out Tex has been hunting Blackjack since the owlhoot killed his buddy Jack Dean back in Arizona City. Blackjack fights dirty but it turns out that the code of the West says that dirty fighti8ng don't mean blip when you are going against a man named Tex. There's a neat bit of banter during the fight. Blackjack: "Better start sayin' yore prayers, White!" Big Tex: "I'll save my prayers for Sunday church, Wells -- and today is only Friday!" Then, after Tex beats the blip out of Blackjack, the Sheriff: "Today might be Friday, Son, but I still think that you hit him with your Sunday punch!" You just don't get that sort of dialog from an episode of The Lone Ranger.
Anyway, the bad guys are in jail, the newspaper is calling the sheriff a hero, and Big Tex and Miss Val are getting friendly.
I have no idea how old Tex Wells is supposed to be, but he is drawn old, with tired, crinkled eyes. also, it turns out that this issue reprints stories from the publisher's John Wayne Adventure Comics, which ran from 1949 to 1955, with the name of the character changed to Big Tex. Go figure.
Tex has two more adventures in this issue: "Sudden Death at Dragon's Peak" (in which we meet Barney Betts, a grizzled old coot who is Tex's oldest friend) and "The Mysterious Valley of Violence" (in which Tex comes across a outlaw hideout fashioned as in old Rome, complete with a coliseum, and a fat madman in a toga who considers himself Nero). Those interested in Miss Val and her tight shirts (and what young b oy in 1953 wouldn't be?) will be disappoint to learn that she does not appear in either story. Evidently, like the comic book itself, she was one-and-done. But the story about Nero is pretty interesting in a what-were-they-thinking? kind of way, though.
Enjoy.
https://comicbookplus.com/?dlid=97622&comicpage=&b=i
Mike Mars Flies the X-15 by Donald A. Wollheim (1961)
Air Force! by Frank Harvey (1959)
Two books celebrating the early years of the space program, both considered "near-future" science fiction at the time.
Mike Mars was the hero of a series eight juveniles by SF mainstay Donald A. Wollheim, who noted for his his editing and publishing far more than his writing. Mars, real name Michael Robert Alfred Sampson, is a lieutenant in the Air Force, a pilot who longs to become an astronaut. In the first book of the series, he and six other young pilots are chosen for Project Quicksilver, a secret program that ran alongside the publicized Project Mercury. Because America is in a competition with another power -- it's interesting that Russia is never mentioned by name -- for a toehold into space, Project Quicksilver is kept a secret as an ace up America's sleeve. (No, it doesn't make much sense to me, either.) The seven astronauts chosen for Quicksilver are younger than those in Project Mercury (again for a reason that m makes little sense) but are receiving the same intense training. Four of them -- Mike Mars, the full-blooded Cherokee Johnny Bluehawk, Navy pilot Jack Lannigan, and talented, well-connected Rod Harger, Jr. -- are training at Edwards Air Force Base in the Mohave Desert to fly the experimental X-15 rocket plane; the other three Quicksilver astronauts are elsewhere, training for a different task. The X-15 has been designed to take man beyond Earth's atmosphere, into space -- the first step to landing on the moon, and eventually Mars and Venus. (Yeah, it still wasn't known that Venus was the impossible hellhole it is; some scientists suspected, but did not know.) As per the nickname he had carried all his life, Mike's ultimate goal was to land on Mars.
Rod Harper, Sr., is an unscrupulous industrialist who made his money and his influence as a war profiteer. He is determined that his son be the one to fly the X-15 and eventually be the first on the moon. To that end, he arranged for some sabotage in the first book as the Quicksilver astronauts were chosen. Now he is back at it again to give his son his shot, whether deserved or not. The agent he sent to disrupt the space program also happened to be a man who has vowed to get back at Mike and Johnny Bluehawk for foiling his plans in the first book. Rod, Jr., has no loyalty to the Air Force, the space program, or his fellow astronauts; his one overriding goal is to be the first man on the moon, and thus gain fame and riches. Compare this to Mike and the other to astronauts who are approaching the program as a team and fully support each other.
Mike is a goody two-shoes. Actually, too good to be believed. Mike had long ago formed three rules of personal conduct:
"The first had been to maintain his good health, by avoiding laziness, overindulgence, by respect for his body and his muscles, and by refusing to allow his system to be poisoned by heavy smoking or drinking.
"The second had been to keep his brain firmly disciplined to study and understanding. Proficiency in his lessons, the ability to learn new things fast and accurately -- these were the keys to the mastery of the world around him.
"The third was to keep his faith, never to allow doubt to cause him to waver from his ambition or to lose confidence in his own ability to rise above any temporary setbacks."
(Mike Mars must have been a super fun guy to have at parties.)
The book itself is heavily researched and detailed about the space program, the various airships involved, and the rigorous training needed to become an astronaut. This overabundance of detail tends to bog down the first two-thirds of the novel. The book is heavily illustrated by Albert Ordaan, in6cluding many renderings of the X-15 and its workings. Of the illustrations of the four astronauts, only those of Mike appear to make him look youthful. Remember all four are the same basic (unstated) age. All four are experience military pilots. As a nod to the book's young readership, Mike and Johnny Bluehawk are referred at least once as "boys," and all four astronaut are referred to a "young lads."
After a rigorous selection process, Mike is chosen to fly the X-15 into space, with Rod as the alternate. Something had to be done to eliminate Mike from the lead position. The saboteurs steal a Sidewinder missile with the intention of shooting Mike down before the X-15 leaves the Earth's atmosphere. Johnny Bluehawk stumbles onto the plot, is captured, and then framed for stealing the missile. Can Johnny escape in time to stop the plot? Can Mike navigate the tremendous forces of nature and physics to touch beyond Earth's reach before heading back safely?
I won't answer those questions, except to say that there are six more books in the Mike Mars series.
An interesting and readable book, despite its flaws, taking me back to the early 60s when the entire country was enthralled with the prospect of space travel and of man's audacity to achieve it.
Air Force! is a collection eight stories with the same basic theme, albeit targeted to a more mature audience. Harvey was an aeronautics writer with many articles to his credit and he knew what he wrote about. The first story in the book, "Orbit Flight," also takes place at Edwards Air Force base and is about the first attempt to penetrate space with the X-15B. Again, we are given many technical details, although in an easier to digest form then with Wollheim. The emphasis of this tale, and of most of the others in the book, is on the personal and family lives of the Air Force test pilots and of the great sacrifices made in an attempt to have mankind touch the stars. Some of the stories dealt with the dangerous testing of new and unproven equipment. I enjoyed the book a great deal and it reawakened the pride I felt when I lived through that era.
The stories:
Long before American Idol or America's Got Talent there was Major Bowes.
Edward Bowes (1874-1946) made it big with his Amateur Hour, first aired in April 1934 on New York City's WHN radio station. It moved to NBC on March 24, 1935, then to CBS in September 1936 until it had completed its radio run. Bowes hosted the show until his death on June 13, 1946, the day before his 72nd birthday. Hosting duties were then taken over by Ted Mack, who had joined the Bowes operation in 1935; after a few months, Mack transitioned the show to the fledgling medium of television, while the show also continued to run on radio until 1952. During the 1950-1951 season, both versions were simply titled Original Amateur Hour. In 1955, the television show became Ted Mack and the Original Amateur Hour until it closed in 1970. During its run, the show had appeared on all four major television networks.
Bowes's avuncular personality had a lot to do with the show's success. His was one of the most recognized voices during the Golden Age of radio. The rapid popularity of his show, which provided Americans with a bit of relief from the massive unemployment of the Great Depression, made him as famous as the many persons he ushered into stardom. Among the some of his better-know contestants were opera stars Lily Pons, Robert Merrill, and Beverly Sills, comedian Jack Carter, and pop singers Teresa Brewer and Frank Sinatra. Sinatra had fronted a group known as The Hoboken Four; there were so popular that Bowles reportedly brought them back week after week under different names.
I don't think there were many famous names among the contestants in the show linked below, but it does give you a good feel for the show and what Major Bowles meant for American audiences.
https://www.youtube.com/watch?v=M1kmd0qLSjQ
As a bonus, here's The Hoboken Four from 1935, with what is believed to be Frank Sinatra's first recorded song:
https://www.youtube.com/watch?v=4BM5O_elYnU&list=PL6IqODMTNHPVuodLARp32vsW7EXsbzcFV&index=9
"Nobody Lives There Now, Nothing Happens" by Casrol Orlock (from Women of Darkness, edited by Kathryn Ptacek (1988)
This short, quirky tale is leavened with a touch of Ray Bradbury with perhaps a dash of Shirley Jackson.
In a small California town, locked permanently and purposefully in the 1880s, the Marquettes have just moved into a monstrosity of a Victorian mansion (four stories with five widow walks) built over a hundred years ago by a robber baron to house his mail-order bride. Before the marriage ceremony cold be held, though, she took a lonely walk and vanished. An intensive search was held, but the young woman was never found. The robber baton abandoned the house, putting it up for sale, and there it remained for over a century, being offered by various real estate agents over the years and being held together by new paint every ten years. And then the Marquettes moved in.
The neighbors watched with interest as the movers lugged in the furniture: a grand piano, an antique woodstove, a microwave, a large something that looked like a pole lamp mated with a chandelier, a massive television, a cabinet that could have come from the 1850s... They saw the furniture but they did not see the Marquettes. Indeed, no one did. The Marquettes never left their home, not to do grocery shopping, or to hang their laundry in the back yard, they took no newspapers, had no in-person dealings with the postman, and politely declined invitations to various parties and local events (by letter, of course). They seemed to have occasional visitors, but no one ever saw anyone come or leave. Music from the piano could be heard, and /once in a while the outlines of guests could be seen through the shaded windows. But of the Marquettes, there was no trace. They were only seen once, on Halloween, when the eight Jefferson children dared to approach their door, and even then, they were hidden behind the door, with their arms only showing; for their effort, each of the Jefferson children received a single piece of salt water taffy, wrapped in very old paper and incredibly hard.
Shortly after Easter, the strange gifts began coming. A scarf hanging on a bush behind Ginny Worsted's, an old but useful scooter by the pond where the Jefferson children played, a jar of golden honey in a flower bed, toys for families with children, a license plate frame for seventeen-year-old Ed Windry (who worshiped his old Chevrolet), an apron caught on Miss Emma's fence, a hubcap that rolled by Mr. Wilson's old Studebaker, which needed one...and more. No one knew where the gifts were coming from, but Virginia (who twice served as PTA secretary and who lived next to the Marquettes) suspected her reclusive neighbors. Virginia's husband John scoffed at the idea, as did the other townspeople, but Virgionia held firm in her unreasoned belief.
And with the gifts came a summer of plenty. Gardens and crops flourished as never before. The enitre town went through a period of peace and happiness A coincidence? Perhaps.
Then, come October, things took a different turn. The frost hit and an early winter came. Cruel tricks began to be played. Tommy Jefferson got a high school girl pregnant; his grandmother keeps paying the local stores for items that Tommy has stolen. Virginia found three dead snakes wrapped together on her screen door. All four tires on Ed Windry's Chevrolet were slashed. All twelve kittens born to one of Miss Gilchrist's cats were strangled. a razor-sharp scratch was made on the elementary school playground slide, a very ripe hunk of cheese was left in Wilbur Evan's mailbox, and a skinned mouse wrapped in cellophane was found in the freezer shelf at Fork's Market. Miss Gilchrist wrote a letter to the local paper, hinting that violence against whoever had strangled her kittens would not be amiss.
Virginia's youngest son found a treasure at the beach. It was a "small antique box, water-worn cherry wood with silver and abalone-shell roses inlaid on all four sides." Inside the box were only seven hard bits of candy. The boy swore he had fond the box inside a sand castle.
And then the Marquettes moved away, as mysteriously as they had come, without anyone actually viewing them leave.
That's it. That's the story. No explanations. No rationale. Yet somehow it maintains a quiet, uneasy power over the reader.
Carol Orlock (b. 1947) has published only a few short stories; the FictionMags index list only three, although two others at least were published in "little" magazines. "Nobody Lives There Now, Nothing Happens" was possibly her fourth published story; it was nominated for Bram Stoker Award. she is also the author of two novels, the well-received The Goddess Letters (1987), which retold the myth of dimeter and Persephone, and The Hedge, The Ribbon: A Novel (1993), interconnected magical realism stories, the winner of the Western States Book Award. She was married to the late writer Jack Cady, and published two horror books with him under the joint pseudonym "Pat Franklin." She has also written two nonfiction books about human biorhythms and one on the effect of medical science on old age.
One of the true classic novellas in the horror genre was Algernon Blackwood's "The Wendigo," first published in Blackwood's collection The Lost Valley and Other Stories (1910). According to the FictionMags Index, it has been reprinted at least 39 times since its original publication; due to the limited scope of the Index, it is safe to assume that it has been reprinted many more times.
The story has been filmed and adapted many times, and has been recorded and read many more times for radio, podcasts, and the like.
Here's a French adaptation of the story that strays pretty far afield from the original. It is by all accounts, an awful film. There are only two reviews of the flick on IMDb, and both give it only one star; one goes so far as to title the review "Huntinn of ze moouse." The movie stars no one you have heard of, but does add some eye candy not present in the original story with the addition of Carol Cocherell in her only screen credit.
Because I know that readers of this blog are staunch fellows (and gals) all, I present this turkey:
https://archive.org/details/Wendigo
But that's not all! Here's an AI generated version of the story that at least covers the basics of the novella, omitting much of the atmosphere and horror, in just four minutes, thirteen seconds!
https://archive.org/details/movies?tab=collection&query=the+wendigo
Blackwood (1869-1951) was one the premiere writers of horror and the supernatural stories in the twentieth century. Here's the Libravox recording of the full story, read by Michael Thomas Robinson. ennoy.
https://archive.org/details/willows_mtr_librivox
"The Texas Troubadour," one of the pioneers in country music, was a large influence in the popularity of honky-tonk music. Among his most noted songs were "Walking the Floor Over You," "Blue Christmas," and "Waltz Across Texas." In 1947, Tubb was the first person to bring the Grand Ole Opry to Carnegie Hall. He was a prolific duet artist, performing with such people as The Andrews Sisters, Loretta Lynn, Red Foley, and The Wilburn Brothers. He was inducted into the Country Music Hall of Fame in 1965. I wasn't able to find an overall number for his record sales over his fifty-year career, perhaps someone can help me out with that.
The person who helped start his career was Carrie Rodgers, the widow of the "Singing Brakeman" Jimmie Rodgers, whom Tubb approached to ask for a photo of her husband shortly after he had passed away. Impressed with Tubb, she helped him get a contract with RCA records. Tubb never forgot her kindness and tried to pay her back by helping and supporting other new artists. This "established his reputation as one of the industry's most generous and selfless performers. Johnny Cash, Patsy Cline, Skeeter Davis, Jack Greene, George Hamilton IV, Stonewall Jackson, Loretta Lynn, Carl Smith, Hank Snow, Justin Tubb (Tubb's first child), Charlie Walker, The Wilburn Brothers, and Hank Williams all owed various degrees of thanks to Tubb."
"Walking the Floor Over Over You"
https://www.youtube.com/watch?v=A-0KHkf5V98
"Waltz Across Texas" -- perhaps his most requested song
https://www.youtube.com/watch?v=KeRO1Wt0R4I
"The Passing of Jimmie Rodgers" (1936) one side of Tubb's first recording
https://www.youtube.com/watch?v=N52Zkx-0lcM
"The T B Is Whipping Me" the other side of Tubb's first recording
https://www.youtube.com/watch?v=WVB4kqt-Ifc
"Pass the Booze"
https://www.youtube.com/watch?v=6A6id3Ik1hc
"Are You Mine" with Loretta Lynn
https://www.youtube.com/watch?v=hmGR1zcpCMc
"Too Old to Cut the Mustard" with Red Foley
https://www.youtube.com/watch?v=ZIUiQOeI_Ek
"I'm Moving On"
https://www.youtube.com/watch?v=vKooIVXrdBM
"Drivin' Nails in My Coffin"
https://www.youtube.com/watch?v=qnEMOQTh27s
"Thanks a Lot"
https://www.youtube.com/watch?v=mx3PIIk8tZk
"Wabash Cannonball"
https://www.youtube.com/watch?v=zUp1NDmkEC0
"The Yellow Rose of Texas"
https://www.youtube.com/watch?v=rmDiy6XpiA4
"Sweet Thing" with Loretta Lynn
https://www.youtube.com/watch?v=ed3tnnfav0I&list=PL2lsxyxplCkZ8U_FdpGIXKDQ2XuLHVQTc&index=24
"Driftwood on the River" with The Jordanaires
https://www.youtube.com/watch?v=o76FSBTnYnc&list=PL2lsxyxplCkZ8U_FdpGIXKDQ2XuLHVQTc&index=28
"Mean Mama Blues"
https://www.youtube.com/watch?v=1v2fS-7x0v4&list=PL2lsxyxplCkZ8U_FdpGIXKDQ2XuLHVQTc&index=33
"Blue-Eyed Elaine"
https://www.youtube.com/watch?v=gih_XNcFe2I&list=PL2lsxyxplCkZ8U_FdpGIXKDQ2XuLHVQTc&index=38
"In the Jailhouse Now"
https://www.youtube.com/watch?v=321cmIOfRO4
"Let's Say Goodbye Like We Said Hello"
https://www.youtube.com/watch?v=LHec_USCW_U
This one took me by surprise for two reasons. First, the title. 4 Most Boys...are you kidding me? That implies that there are a number of boys this comic book for whom this comic book is verboten. That's like if the title of Calling All Girls was actually Calling All Girls Except Lucinda Who Is a Skank. True, a banner across the front cover also reads "Foremost Boys Comics," But that's offset by the large type of the actual title and by the vertical printing of the title on the left side of the cover. It is my considered opinion that whoever titled this comic book screwed up big time.
The other surprise was the teaser notice on the lower right cover: "The True Life Story of All-American CHUB PEABODY" Hang on a minute. I know of only one Chub Peabody, Endicott Peabody, the 62nd governor of Massachusetts. (When my wife worked a sales desk at Jordan March in Nashua, New Hampshire, Mrs. Chub was one of her favorite customers.) A World War II Navy veteran who was awarded several commendations, including the Silver Star, Chub Peabody served one term as governor (1963-1965) and as known for his vehement opposition to the death penalty and for signing the bill establishing the University of Massachusetts Boston. Peabody had deep New England roots: this ancestor, John Endecott (note the spelling), was the longest serving governor of the Massachusetts Bay Company; his grandfather, Endicott Peabody, was an Episcopal priest who founded both the Groton School and the Brooks School, was well as Episcopal churches in Arizona and Massachusetts; his maternal grandfather served on both the Boston Common Council and in both chambers of the Massachusetts General Court; his father served as bishop of the Episcopal Diocese of Central New York for eighteen years; his mother was a noted civil rights and anti-war activist in the 1960s, as an elderly (72-year-old) prominent (Chub was governor, and she was a cousin of Eleanor Roosevelt, and her father-in-law had officiated at Eleanor and FDR's wedding) white woman, she became a symbol of the civil rights movement and was arrested several times; his sister represented the United States on the United Nations Commission on Human Rights, and had a number of romantic affairs, including ones with film director John Huston and presidential candidate Adlai Stevenson (she was with him when he died); his niece, Frances Fitzgerald, is a Pulitzer Prize, Bancroft Prize, and National Book Award-winning historian; another niece, Penelope Tree was an influential supermodel in Britain's "swinging sixties" (when asked to describe her in three words, John Lennon said, "Hot. Hot. Hot. Smart. Smart. Smart." -- and, yes, that's more than three words). As governor, Chub's liberal roots were also shown in his support of laws to prevent discrimination in housing and in establishing drug addiction treatment centers. Good intentions sometimes mean little in politics and Chub lost the Democratic primary for reelection. He later ran for a number of other offices, including the Senate in both Massachusetts and New Hampshire, and made several attempts to run for Vice President. What I did not know was that Chub was a Unanimous All-American and First-Team All-Easton college football player who had been inducted into the College football Hall of Fame. Now, thanks to 4 Most Boys #39, I do.
The issue starts off with "The Cadet," featuring Kit Carter, a cadet at the Daunton Academy for Boys. Kit and his friend, Dan Merry, stumble across a cabin in the woods being used by detective story writer Dick Mann. A shot rings out! It's an aggrieved ghost writer who wants payment for a story he had written for Mann. Mann takes a rifle to face the ghost writer, but ends up killing himself. then Mann becomes a ghost. Kit tries to tackle the ghost writer but it turns out that he, too, is a ghost. Then Kit is killed and becomes a ghost. The ghosts begin multiplying and multiple Kit-ghosts and Mann-ghosts chase Dan. then Dan wakes up. He had tripped and bumped his head and dreamed the whole thing. but we knew that, didn't we?
The next story features Edison Bell. Young Eddie had seen the magician Thorstin's act and was impressed. He decided to recreate Thorstin's tricks. But Eddie then gets suspicious of Thorstin and decided to watch his act one more time. Then he gets even more suspicious...and for good reason, Thorstin is using his act as a cover for jewel robberies. Eddie may not be the greatest amateur magician, but he was able to trade Thorstin's costume robes for real-life prison stripes!
Two one-page text stories follow. "Finger Marks," in which a murderer tries to frame another person with rubberized finger prints, and "The Future Champion," in which Don wins a boxing match despite having two cracked ribs.
Now we get to the four-page story about Chub Peabody, a most distinguished lineman "who was chosen on more All-American teams in 1941 than any other player in the country," and holder of the Knute Rocke Trophy. At the Groton School, he had a "fine academic record," was "elected president of the missionary society and vice-president of the dramatic club. Not caring for indoor sports, he turned down a chance to play basketball and opted instead for football, where, in his senior year, he captained the team to an undefeated season. "Not endowed with prodigious strength or speed, but the possessor of an unquenchable fighting spirit, Peabody entered Harvard and made football history!" He worked hard at exercises to develop his back and his neck -- developing his neck from a 14 to a 17. By mid-season in his sophomore year, Chub had won a first season berth. He became the tram's most feared offensive guard; the press began "lovingly": calling him the "baby-faced assassin." In his final game, Chub played three-quarters of the game with an injured thigh, beating rival Yale 14-0.
The final story in the issue features The White Rider and Super Horse. (If you are wondering what sort of person names their horse "Super Horse." don't; the horse's actual name is Cloud. I may be wrong, but I suspect the Super Horse name came from the same genius who called the comic book 4 Most Boys. BTW, sometimes Super Horse is spelled as two words and sometimes as one.) Anyway, The White Rider and SH (aka Cloud) are moseying down the rail when they come across a railroad construction camp on fire. And, golly! There's dynamite in the cabin and it might go off at any moment. The White Rider throws a rope around a beam and has SH (aka Storm) pull hard, taking the entire front off the building down. Then TWR runs in and grabs the boxes of dynamite one by one and brings them to safety. The shack collapses, but not before TWR gets all the dynamite out. There's skullduggery a-going on -- this was the fifth "accident" the construction crew has had. If they don't finish the line in a week, the man building the railroad line will be bankrupt and the bank will foreclose (considering the title of the comic book, shouldn't it be "4close?"). It doesn't take a genius to figure out the banker eager to foreclose (4close) is behind it all. TWR confronts the banker, is taken captive, and is tied up and placed on the railroad tracks in a tunnel with a lit bundle of dynamite ready to explode. but the bad guys don't count on SH (aka Storm) , who sense something is wrong, rushes into the tunnel, grabs the explosives in his teeth and tosses them over a cliff. KABOOM! The there's a gun battle and SH (aka Storm) grabs the bad banker with his teeth and shakes him until he confesses. You could say the bad guy's plans have all gone to SH. TWR and SH (aka Storm) ride off into the sunset for more exciting adventures.
An interesting comic book with moderate-to-fair artwork.
Check it out:
https://comicbookplus.com/?dlid=97579&comicpage=&b=i
Killers Are My Meat by Stephen Marlowe (1957)
Marlowe's Chester Drum was a Washington, D.C.-based private eye who blazed his way through twenty popular paperback novels and seven short stories from 1955 to 1968; an eighth short story appeared in 1973. Drum was more than your typical hardboiled P.I., though. He was an ex-cop and ex-FBI agent who runs his own one-man shop, as do many of his literary ilk. But Drum's cases often took him around the world and often involved espionage and international skullduggery, from Moscow to Mecca, and from South America to Rome, and twice to Berlin (once before the Wall, and once afterward). Killers Are My Meat, the third book in the series, finds him in Benares, India -- a city obsessed with death and religion.
Drum is asked to locate and return Gil Sprayregan, a down-on-his-luck P.I., to his wife. Sprayregan is hiding out, in fear for his life, because of what he learned while investigating Sumitra Mojindar, the wife of the First Secretary of India. Sumitra was much younger than her husband; she was also gifted with the morals of an alley cat. Sprayregan discovered some secret about the Indian embassy that made him a target. Drum located Sprayregan, and promising him protection, brought him back to his wife -- just in time for him to be killed in a hut-and-run. Distraught, Sprayregan's widow accosted Sumitra and was shot and killed by a servant who was sleeping with the Sumitra. Diplomatic immunity closed the case.
Sumitra's husband was organizing a large conference of Asian and African nations and had invited Western countries to send observers, but not participants. One of those was Stewart Varley, who also happened to have been none of Sumitra's lovers. Varley was going through an existential crisis and was expressing extreme interest in various Oriental religions. Varley's wife hired Drum to accompany her husband to the conference in Benares with orders to be sure that Varley returned to the States and was lured to stay in India to explore the area's religions. This gave Drum an opportunity to dig further into Sumitra and her deadly manservants...and to uncover a political plot to overthrow the government and to establish an "India for India" regime.
There's a mystic guru, a mute acolyte, a perky young reporter who has has a past with Drum, her rash lover, a kidnapping, murders, crematoriums, some very nasty thugs, and the constant stink of death. The Varney is reported dead and Drum rushes to the scene to see the body tossed on a fire.
Marlowe keeps the pace moving at a fast clip, but his description of the filth, abject poverty, and decay of Benares is off-putting. Still, it's an interesting novel, and one firmly entrenched in its time period. Drum is a worthwhile hero and its easy to see why the books were so popular in their day.
Stephen Marlowe (1928-2008) was born Milton Lesser but legally changed his name to this pseudonym. He began writing pulp crime fiction and science fiction, writing as both Lesser and Marlowe, but also as Adam Chase, Andrew Frazier, Jason Ridgeway, C. H. Thames, S. M. Teneshaw, Gerald Vance, Darius John Granger, Stephen wilder, and even Ellery Queen. He began shifting to mainstream novels with 1961's The Shining, followed by a number of thrillers and best-selling fictional autobiographies of Goya, Christopher Columbus, Miguel de Cervantes, and Edgar Allan Poe. A one-time member of the Board of Directors of Mystery Writers of America, he was awarded the French Prix Gutenberg du Livre in 1998 for The Memoirs of Christopher Columbus, and was given a Lifetime Achievement Award from the Private Eye Writers of America in 1997. His work is both literate and enjoyable; his later novels are especially worthwhile, as is his complete Chester Drum series.
There are geniuses and there are comic geniuses. Ernie Kovacs was not only a true comic genius, but his madcap ways helped change the shape of comedy. Here, Kovacs takes a surreal look at the Tom Swift books of yore.
Enjoy.
https://audiomack.com/ernie-kovacs/song/tom-swift-6381493
"The Moon for a Nickel" by Fredric Brown (first published in Street & Smith's Detective Story Magazine, March 1938; reprinted in The Saint Detective Magazine, May 1954, and in the UK edition of that magazine, March 1956; collected in Brown's Homicide Sanitarium, 1984[ and in Brown's collection Murder Draws a Crowd, 2017)
Fredric Brown began his writing career penning short pieces for various trade journals such as The Michigan Well Driller, Excavating Engineer, Ford Dealer Service Bulletin, Feedstuffs, and Independent Salesman, among others. In 1938 he began to concentrate on mystery and crime stories with mixed success. The fist of these to be published was "The Moon for a Nickel," a short-short story about a robbery and its effect on one bystander who was in desperate need of money. This was the only story in that loose genre to be published in 1938; two earlier written stories were published in 1939, and 1940 saw the beginning of a flood of mystery stories begin to appear.
The protagonist of "A Moon for a Nickel" was an unnamed man with straggly hair who ran a small concession off Lake Michigan, a telescope aimed at the moon with the sign "The Moon for a Nickel." It was an extremely hot evening and few people were about, and those that were showed interest interest in viewing the moon through a telescope. Then a stranger came up, shoved a dollar bill in in the man's hands, and said he wanted to look at the Milky Way in private. The man had never had a request like this but a dollar was a dollar and his wife needed an operation that would cost fifty dollars, so he walked off, keeping an eye on his telescope from the corner of his eye in case the stranger decided to walk off with it. He saw the stranger adjust the telescope lower and adjust the lens, watching something for a brief moment, then walked away to where a big car was parked. Before readjusting the telescope back to a view of the moon, the man looked to see where the stranger had aimed the scope -- at a nearby building. Two men came running out of the building toward the stranger's car...
Within seconds police cars arrived on the scene and officers emerged carryi6ng submachine guns. A bloody battle ensued and the bad guys were killed.
The man went up to one of the officers, saying that he was a witness to what had happened and was there a reward he could claim. The policeman shooed him away. An alarm had been set, alerting them to the robbery, and the man was lucky they did not arrest for being an accomplice. Dejected, the m an went back to his telescope, which he then used to view the goings-on. through the telescope, he could even see the damaged safe that had been broken into. It was getting late and, aside from the one dollar the crook had given him, he had earned nothing else that evening. He still needed forty-nine dollars for his wife's operation.
He was about to head home, but a crowd was beginning to form, curious about the gunshots and the police activity. He called out to the crowd, Come view the crime scene closeup for only fifty cents! And the curious mob began to line up. Before the evening was over he had made another sixty-one dollars.
A very minor, very gimmicky story that incorporated a number of tropes that Brown would use in his later crime fiction: the unusual setting of a low-level concession which prefigured the carnivals that influenced much of his work, a down-on-his-luck protagonist who was in a difficult position, violent and unexpected crime, and a twist ending that resolves the protagonist's problems, as well as the Chicago-area locale. Minor though the little tale might be, it is an important indication of where Fredric Brown would take the mystery story.
The May 1954 issue of The Saint Detective Magazine is available online at Internet Archive. Also included in the issue are stories by Leslie Charteris (featuring The Saint. of course). Arthur Somers Roche, Octavus Roy Cohen, Steve Fisher (featuring Tony Key), MacKinlay Kantor (featuring Nick & Dsve Glennan), Damon Runyon, Gilbert K. Chesterton (featuring Father Brown), Henry Morton Robinson, Bevis Winter (editor of the short-lived [9 issues] UK men's magazine Stag: Man's Own Magazine), and one-and-dome author [and possibly a pseudonym] Jimmy Rizutto.
Tol'able David is an acclaimed 1921 silent film, which won the 1921 Photoplay Magazine Medal of Honor and which was selected in 2007 for the National Film Registry. It starred Richard Barthelmess, Gladys Hulette, Walter P. Lewis,
A 1930 remake starred Richard Cromwell, who was born LeRoy Melvin Radabaugh; with no previous professional experience, he tried out for this role and was chosen out of thousands of applicants and was given his new stage name by Columbia mogul Harry Cohn. Cromwell went on to be featured in The Lives of a Bengal Lancer, The Road Back, Jezebel, and Young Mr. Lincoln, among others. He was briefly married to a young Angela Lansbury.
Joining Cromwell in the remake of Tol'able David were Noah Beery, Joan Peers, Henry B. Walthall, Tom Keene, and James Bradbury. Far down on the list of credits was an actor billed as Peter Richmond, who was actually John Carradine in his first credited movie role; the "Peter Richmond" name was a holdover from his stage career and was adopted as a homage to Carradine's uncle. Carradine was one of the most prolific actors of the Twentieth century, with 353 IMDb credits. F. Gwynplaine Macintyre notes that Carradine plays "a hillbilly named Buzzard, giving precisely the performance you'd expect to see from John Carradine as a hillbilly named buzzard." Carradine doesn't disappoint here, but nor does he surprise."
David Kinemon (Barthelmess, '21; Cromwell, '30), son of a West Virginia tenant farmer, longs to b e treated like a man, but is constantly reminded that he is still a boy, "tol'able" enough, but not a man. Then outlaw Iscah Hatburn (Walter P. Lewis, '21; Harlan Knight, '30) and his two sons, Luke (Ernest Torrence, '21; Warner Richmond, '30) and "Little Buzzard" (Ralph Yearsley, '21; John Carradine, '30) move into the neighboring Harburn farm. David is sweet on Hatburn's granddaughter Esther (Gladys Hulette, '21; Joan Peers, '30) , who warns him not to interfere. Then the Harburns kill David's pet dog (Lassie, '21; uncredited, '30) and cripple his brother (Warner Richmond, '21; Tom Keene, '30) . David's father (Edward Gurney, '21; Edmund Breese, '30) was about to face the Hatburns but suffered a fatal heart attack. David's family loses their tenancy and he has a hard time finding work, but eventually gets his brother's old job delivering mail. A showdown with the Hatburns ends up with David being shot. in a gun battle with the Hatburns he comes out victorious, no longer "Tol'able David," but a man deserving of respect.
The film (both versions) was produced and directed by Henry King. King and screenwriter Edmond Goulding produced the screenplays for both versions, based on Joseph Hergesheimer's 1917 short story. Despite having the same talents behind the cameras, the 1930 film is considered a poor shadow of the original film.
The 1930 version of the film is not available online, but the 1921 silent is:
https://www.youtube.com/watch?v=HkxEWjUrxbA
Too much going on this week for me to spent the amount of time this post deserves. Sorry.
Openers: "Tom, your new atomic sports car is absolutely dreamy!" said Phyllis Newton
Eighteen-year-old Tom Swift Jr. grinned at the pretty dark-haired girl's excitement as his sleek, bronze racer glided along the highway leading out of Shopton.
"You should call it the Silent Streak!" suggested Sandra Swift, Tom's seventeen-year-old blond sister, who was riding in the back seat with Bud Barclay.
"Good name, Sandy," Tom agreed, "but the publicity releases will call it a triphibian atomicar."
"Open 'er up, skipper!" Bud urged his pal.
Tom advanced the unicontrol lever and the car arrowed forward with a whoosh! His three companions were thrilled by its smooth, noiseless response,
-- Tom Swift and His Triphibian Atomicar by "Victor Appleton II" (James Duncan Lawrence, this time), 1962
The original Tom Swift juveniles published by the Stratemeyer Syndicate ran for forty volumes between 1910 and 1941; they vied with other Stratemeyer creations such as the Hardy Boys and Nancy Drew for popularity. Tom was an inventor extraordinaire and his many gadgets lent a science-fiction-lite tone to the adventure series. Never to let a good series die on the vine, Harriet Stratemeyer authorized the creation of a new series, featuring the original Tom's son, beginning with Tom Swift and His Flying Lab 1954. A total of 33 volumes were published through 1971. (The baton was passed onto a third series with eleven books published from 1981 to 1984; then to a fourth series published from 1991 to 1993 -- thirteen books, plus two crossovers with The Hardy Boys; a fifth series appeared with six volumes in 2006 and 2007; a final series appeared from 2019 to 2022 with eight volumes. Over the course of these 111 books, Tom Swift has been reimagined, rebooted, altered, and twisted out of any recognizable image. Who knows? There be still more to come from this cash cow.
Anyway, about Tom Swift Jr. I read the first in the series and was greatly disappointed. I had read all 40 of the original Tom Swift books and -- flawed that they were with jingoism, sexism, and militarism -- found them entertaining, well-paced, and fairly plotted. Not so, the one I read in the the succeeding series, and judging from the first few sentences of Triphibian Atomicar, others in the series may be as poorly written. We shall see. I'm determined to read at least a couple more in the series before I kae final judgment.
Triphibian is the 19th book in the series. The author, James Duncan Lawrence, penned two dozen volumes in the series. In this one, Tom and the gang head to the newly developed republic of Kabulistan to help the country develop its natural resources; they also end up searching for a ruby mine lost for some two centuries. A bunch of incredible inventions come into play...
Incoming: