The original Chuck Wagon Gang (1941).
https://www.youtube.com/watch?v=TFcs-kmM5PM
Clemmie by John D. McDonald (1958)
From the back cover of the paperback:
She was very young.
She was dangerous.
She was a girl who lived too close to the edge of violence.
She hunted trouble.
She was an exhibitionist, a body worshipper, a sensualist.
She was without morals, scruples, ethics.
She was beautiful.
She was CLEMMIE
Clementina Bennet was the only child of a rich (and probably amoral) man who simultaneously spoiled and ignored her. When she was thirteen she was seduced by a college student. When she was fifteen something terrible happened that remains unspoken and she was eventually institutionalized. Now, at twenty-three, she is a fantasist living only for her whims and desires; she is incapable of being truly empathetic and thinks nothing of ruining a man's life and family.
Craig Fitz had a terrible childhood that he put behind him when he entered college, instead creating a completely imaginary background. After receiving a wound that left him with a slight limp in the war, he met and married an English girl while recovering in London. Back in America, he got a job with a national manufacturing company and rose to the position of production manager at one of its plants. Thirteen years into the job, he has not moved forward in the company, nor has he really wanted to; he is satisfied with his life, his wife, their two daughters, and his work. Known as a straight-shooter, he has earned the respect of his neighbors and his peers. Scrimping money, Craig and his wife were able to afford a summer's trip to England for her and their two daughters kin order for them to meet their grandparents. Alone for the summer, Craig was feeling lonely.
When a co-worker invited him out for drinks one night, things went terribly wrong. Craig got drunk and the even drunker co-worker was arrested and taken to jail. That's when Craig met Clemmie, who fascinated with her youth and her sense of whimsey. Without really realizing what was happening, Craig and Clemmie made love, probably the only time Craig was unfaithful to his wife. Craig felt guilty but Clemmie wanted the relationship to continue, and slowly Craig slid into a life of infidelity. Soon Craig was caught in a trap between wanting Clemmie and wanting to save his marriage. Clemmie' philosophy was that, if one were feeling guilty, one must continue full bore doing whatever makes you; feel guilty; in doing this, sooner of later Craig's feelings for his wife would fall to the wayside. Craig's guilt (and his wishy-washiness) were increased by his burgeoning alcoholism, brought on by pressures at work that imperil his job and his future livelihood.
McDonald made his bones with paperback suspense novels in the fifties and sixties, but this one is more mainstream than suspense. The question remains whether Craig can drag himself lout of the morass he has put himself in and whether he can save his marriage, or at least, his soul, or whether Clemmie will be able to destroy him completely.
The writing is good (it is McDonald, after all) but the book had an uncomfortable feel for me. I disliked the character of Clemmie for personal reasons: I had meet too many people like her. And Craig's absolute weakness of character set off negative vibes for me.
Still, this has McDonald's trademark mid-century, middle America malaise all over it, and it is something he has done so well in the past. Yet, for some reason I got the distinct feeling I was reading an Evan Hunter mainstream novel of the same period more than a John D. McDonald novel.
Your mileage may well differ.
Cartoonist Walt Kelly produced this for the U.S. Department of Health and Human Services to answer parental concerns about the effect of television on children. He "carefully applies concepts of mental health and child rearing embodied in the findings of the 1960 White House Conference on Children and Youth." The dangers, although very real, appear to be blown out of proportion to me, but things were very different six decades ago, when McCarthyism and Dr. Fredric Wertham were still in the rearview mirror.
Your cast of characters include Mother (Pogo Possum), Father (Albert Alligator), Child (Rackety Coon Chile), and Psychiatrists One and Two (Howland Owl and Churchy La Femme).
Despite the hype, most of the recommendations are common sense ones.
I do take issue, however, with the opinion given about folk singers.
Enjoy this little bit of Pogo. (Then, cleanse your palate by checking out one of the m any collections of Pogo comic strips.)
https://comicbookplus.com/?dlid=102266
"The Forgotten Land" by Henry Herbert Knibbs (from The Popular Magazine, February 7, 1917; never reprinted to my knowledge)
We can't recall that we have ever published a story like this in the Popular. It is a staggering thing -- the kind of yarn you'll talk about to your friends. You know the type of story Knibbs writes -- Western, with a good deal of sympathy for man and his four-footed companion. There is the Westerner here, but he is placed in a setting so far removed from anything that Knibbs has ever given us that it took out breath away. Knibbs is a poet as well as a novelist; and as we read, we had a vision of 'the poet's eye in a fine frenzy rolling.' It is prophetic, but we have known prophets who have guessed wrong, and we fancy Knibbs is wrong -- at any rate we hope so.
-- editor's introduction to "The Forgotten Land"; in that issue's Table of Contents, the story is called strange and unusual, "quite the strangest so far."
Knibbs (1874-1945) never worked as a cowboy (he suffered from a lifelong respiratory ailment) but he was a popular author of western short stories, but he was a popular author of western short stories, novels, and poems. The FictionMags Index lists over 140 of his stories, novels, and serials published over a 28-year period, as well as over 160 published poems. He published thirteen novels and six collections of poetry; his tales were adapted for seven films. He stopped writing, embarrassed, because in one of his Saturday Evening Post he had a horse with a gestation period of nine months; a horse has a gestation period of eleven months -- something he knew full well -- and not only was he ridiculed by his peers, he was never able to sell another story.
Long before science fiction ever gelled as its own genre, tales of the fantastic were often published in popular magazines as "strange" stories, a practice that continued until the middle or late 1920s. Such stories carried their own cachet and were eagerly devoured by some readers.
America has been invaded, and conquered. As far as he knew, Jack Hanley, the lone watcher of the Grey Grouse power station, might be the only American left. The enemy had just taken the station at the bottom of the mountain, although the crew out up a good fight. The sound of war birds filled the air. Hanley had four freight cars of supplies the had been abandoned earlier at his station. He was able to destroy them by plunging them off a 4000-foot cliff. Then he saddled his horse, Candy, and took off into the wilderness, heading toward Canada, dynamiting his trail behind him. He had only a few supplies and the American flag he had taken from the power station with him -- he was not going to gift his country's flag to the enemy. Now he had to find a way to survive with little supplies and even less ammunition. After nearly being killed when he was spotted by a war bird, Hanley found a cave where he and Candy could shelter for the winter. He improvised traps for game and was severely wounded by a bear who had forced his to use almost all of his ammunition. Both he and his horse were weak and hungry.
He had not seen evidence of another person the entire winter, but now, with springtime here, he found moccasin tracks. They led to a mountain lake with a thin wisp of smoke rising above it. A girl was being beaten by a huge Indian. Hanley had a few bullets left and fired at the Indian, Mooswa, killing him. The girl, whose name was Bess, had been given to the Indian for protection by her father because Mooswa had promised to hide her in the deep woods away from the invaders and the plague that they had brought with them. Yea, there was a plague and it wiped out the invaders and any remaining Americans.
Hanley, ever the gentleman and possibly the last American male alive, treated Bess with respect. He decided that his place, as an American, was back in America where white folks came from, rather than in the woods of Canada populated by Indians. (Casual racism was big in 1917 -- did I mention that the invaders were "yellow men"?) He gave Bess the choice of going back to America with him. He was her protector so she felt that he was basically her "husband," so she agreed to go with him. (Casual sexism was also big in 1917.)
Fifty years later some Northern Indians came across a falling apart ranch house. There on the cot was the body of an old man who had placed an American flag over his legs before he died. He could have been the last of the vanished white men. Outside the house was a grass-covered grave in the shade of a wall. The Indians knew this had to be the final resting place of a woman.
Here's the link to the February 7, 1917 issue of Popular Magazine, which also contains stories by well-known authors of the time Francis Lynde, Holman Day, Bertrand W. Sinclair, and William S. McNutt, as well as serials by B. M. Bower, Henry C. Rowland, and Roman Doubleday:
https://archive.org/details/the-popular-magazine-v-043-n-04-1917-02-07/mode/1up
Clara Bow (1905?-1965) was one of America's first film sex symbols, known as the "It Girl." Her personality, coltish appearance, and devil-may-care lifestyle may have been more important in her film career than her acting ability; her screen presence could not be denied and she became the ultimate flapper of 1920s films. Her personal life was a subject of much discussion and she had a reputation for various sexual indiscretions -- much of unfounded or unproven; she negotiated her first contract with Paramount to not have a morals clause, which did not help the rumor mill. Supposedly, she was raped by her father when she was 16 and her mother institutionalized, although she had a warm relationship with her father for much of his life. Bow was one of the WAMPUS Baby Stars of 1924 and was engaged to marry actor Gilbert Roland in 1925. When she finally married, it was to rancher Rex Bell, later Lieutenant Governor of Nevada. Later in life, she had psychiatric issues and attempted suicide in 1944. She was institutionalized in 1949 and never returned to her family when she was released. She lived alone in a culver city bungalow for the rest of her life, latterly under the constant care of a nurse. She died at age sixty from a heart attack.
Bow starred with Richard Arlen and Kay Francis (in her first Hollywood film) in Dangerous Curves, directed by Lothar Mendes, adapted by Donald Davis and Florence Ryerson from a story by Lester Cohen, with additional dialogue by Viola Brothers Shore. Bow plays Pat Delaney, an circus bareback rider who is in love with Larry Lee (Arlen), the arrogant trapeze artist and the circus's most popular act. Lee, however, is smitten with Zara (Francis), who is just using him for what she get. when he finds out that Zara has been messing with another man, Lee flies into a rage and beats his rival. Unfortunately, Lee has to perform immediately after, but has lost his concentration and falls. Lee is briefly hospitalized and soon leaves the circus, his confidence shaken, and turns to drink. Pat finds him and convinced him to start a high wire act with her. But Lee's talent is gone...for the moment. Slowly the talent returns and Lee tries to convince Zara to join him in his act. Pat flees in tears and misses her performance and is fired. Zara runs off with her boyfriend and Lee gets drunk. Pat disguises herself as Lee and performs his act posing as him. Lee appreciates it. Could this be the start of something big?
A mawkish drama made palatable by Clara Bow's presence.
Give it a try:
https://www.youtube.com/watch?v=jFFNJNQe9lU&list=PLk2PLIM4DugyCGaumm5JKhM2hj8b5d-sj&index=2
Openers:
I'm going you tell you the real story behind Bloodrock and how we ended up with a dead man in a bathtub. I was right there on location and saw just about everything. More than anyone else, at least. I'm sure you remember hearing about it, even if you are not a regular reader of the Hollywood traces. You also probably remember that there were some questions floating around, the big one being: Was it just an accident, or was it murder?
So I'll tell you everything I know, and then you can decide for yourself.
-- A Murder in Hollywood by Michael Crichton writing as "John Lange," 2026
Whoa, Nellie! A new book by Michael Crichton? The guy who's been dead for nearly eighteen year? And writing as John Lange, the pseudonym he used when he first started publishing when he was a medical student, eventually totaling eight basically forgettable novels under that pen name? The last being in 1972 (Binary), three years after he made his bones with The Andromeda Strain? Yeah, that guy. I think the dead sumbitch published it just to mess with my my mind because I had just completed earlier this year my read of all of his published books -- fiction, nonfiction, even a couple of screenplays. Anyway, here's this new Michael Crichton book that had flown under my radar -- one I had never heard of, published this past May.
Well, there's a good reason. Evidently he wrote it back in 1973. By then, all his pseudonymous work had been published (eight by "John Lange," one by "Jeffrey Hudson," and one collaboration published as by "Michael Douglas"). Also by then, some confusion had begun about the Lange pen name: it turned out the John Lange was the legal name of "John Norman," the pseudonymous named used to publish a slew of best-selling incel (before that was created) fantasy novels heavy on sex and degradation. With two bestsellers, one Edgar Award-winning novel and at least three films in the works, it was time to retire the pseudonym and the type of action-oriented novel that went with it. So A Murder in Hollywood became a trunk novel, never seeing the light of day...presumably forever.
But, where there's a manuscript with Crichton's name on it, there is the possibility for cash...which brings us to 2026.
Don't get me wrong. This isn't a truly bad book. It just not a mature Michael Crichton book, heavily influenced by his time as a student author who was having an novel filmed (the Jeffrey Hudson A Case of Need, filmed as The Carey Treatment by Blake Edwards; also the same year, his collaborative novel Dealing was filmed by Paul Williams). It's a decent, well-plotted, snarky book. The main problem is with the title. There is not a murder in Hollywood. There is one in Tucson -- the dead guy in the bathtub. But was it even a murder? The guy slipped, fell, and hit his head. But if it was an accident why was the bathroom completely wiped of fingerprints. And there may not be a single murder; there may be two. but as the second paragraph in the book said, you will have to decide for yourself.
I am glad I read it, but I sincerely hope there are no more trunk novels lying around. This was the fifth posthumous Crichton book published, two of which were completed by other authors.
Incoming:
Following my Friday Forgotten Book post yesterday about Will Eisner's John Law, I thought it would be fun to look at one of the Spirit Sunday sections for the Register and Tribune Syndicate, which included a comic book insert in their Sunday newspapers. This one, the very first Spirit Sunday section, is reprinted from the Washington Sunday Star -- please excuse the poor reproduction.
Here we see the origin of The Spirit, as Denny Colt falls into a vat of chemicals while pursuing Dr. Cobra and is thought dead. Actually, he is in a state of suspended animation, reviving after being entombed in the Wilkdwood Cemetery. This is when he decides to become The Spirit. The story was written and drawn by Eisner and and provided the foundation for the long-running series. (Note that in this first e;pisoded the Spririt did not don a mask.)
Next, we get a four-page story introducing Lady Luck, written by Eisner and drawn by Chuck Mazoujian, followed by a five-page introduction to Mr. Mystic, again written by Eisner but drawn by Bob Powell.
The Comic Book Plus website has links to most -- but not all -- of the Spirit Sunday sections from 1940 to 1952. Great stories, great artwork, and one of the truly great comic book heroes.
Enjoy.
https://comicbookplus.com/?dlid=82548
The Collected Will Eisner's John Law by Will Eisner and Gary Chaloner (a Hard Case Crime Graphic Novel, 20254)
Will Eisner (1917-2005) was a pioneering cartoonist in the comic book industry, from his early work at the Eisner-Iger Studio to his creation of The Spirit to such graphic novels as A Contract with God,(which popularized the term "graphic novel") Fagin the Jew, and The Plot: The Secret Story of the Protocols of the Elders of Zion. As a teenager, he began working as an advertiser-writer cartoonist for the New York American, while also providing illustrations for pulp magazines. High school friend and fellow cartoonist Bob Kane (of future Batman fame) suggested that Eisner try selling some cartoons to a new magazine, Wow, What a Magazine! Editor Bob Iger bought Eisner's cartoons and, following the death of Wow after only four issues, he and Eisner opened the Eisner-Iger Studio, packaging new material for comic books, which were moving away from reprints from newspapers to original material. At a profit of $1.50 a page, Eisner became very rich by the time he was 22. Among the characters that Eisner originated or co-created there were Doll Man and Blackhawk.
In late 1939, Quality Comics publisher "Busy" Arnold came to Eisner with a proposal that would allow the Sunday newspaper get into the comics book boom. Eisner, eager to produce comics for a more adult audience, sold his half of the partnership to Iger, and began to create The Spirit, about P.I. Denny Crane, who was pronounced dead after falling into suspended animation, and was interred in Wildwood Cemetery; when he revived, he put on a domino mask and became a crime fighter, one without supernatural powers. The Spirit became the main feature of a comic book insert in the Sunday papers of the Register and Tribune Syndicate; the insert, known as "The Spirit Section," ran from June 2, 1940 to October 5, 1942. From the 60s to the 80s, Eisner wrote a few additional stories about The Spirit. At its peak, The Spirit ran in twenty newspaper with a circulation of five million. In 2011, The Spirit was ranked as #21 in Top 100 Comic Book Heroes of All Time.
While in the military during World War II, Eisner began using comics to help train soldiers, creating the bumbling soldier Joe Dope to stress the importance of preventative maintenance. He later created PS, The Preventive Maintenance Monthly for the Army in 1951, and continued working on it until the 1970s. Ever the entrepreneur, Eisner created the American Visuals Corporation to provide instructions for the government and such businesses as RCA Records, the Baltimore Colts, and New York Telephone.
In the 1970s he became the "Godfather of the American Graphic Novel" with the publication of A Contract with God. Others. produced at the rate of about one year, include Moby Dick, Sundiata, The Last Knight, and The Princess and the Frog. Eisner also began teaching, publishing two books based on his lectures: Comics and Sequential Art and Graphic Storytelling and Visual Narrative.
Eisner received six annual National Cartoonist Society Awards, as well as its Reuben Award. Other awards include the Inkpot Award and the Grand Prix de la ville d'Angouleme. He has been inducted into the Academy of Comic Book Arts Hall of Fame and the Jack Kirby Hall of Fame. In 1998, the Will Eisner Comic Industry Awards were named in his honor. He was posthumously elected into the Society of Illustrators Hall of Fame in 2015. Not bad for a scrappy Jewish boy who grew up in impoverished Brooklyn.
But enough about Eisner (I hear you say), what about John Law? In 1949, Eisner decided to become a comic publisher, starting with four or five titles. The first two, Kewpies (designed for young children) and Baseball Comics, had disappointing early sales and Eisner pulled the plug on the venture. One of the proposed titles that were never published was John Law; others were Pirate Comics and (possibly) Nubbin the Shoeshine Boy (based on an early Eisner creation who had been repurposed for a role in the John Law comics). The three John Law stories that Eisner had written were then modified to become Spirit stories by replacing John Law's eyepatch with a domino mask, get rid of John Law's pipe, and place the Spirit's gloves on John Law's hands...easy peasy, with a few other alterations. Eventually the original John Law stories were published, some in 1983, and others in John Law: Dead Man Walking (2004), including some new stories by Tasmanian artist Gary Chaloner.
Eisner's original John Law had the character's father, a has-been fighter who was a patsy for the crooks in the area, witness the death of his best friend, police officer Saref, a the hands of his accomplices. Devasted, he took his own life. Until that point, John law had been best friends with his playmate Sand, Saref's young daughter. Sand took her father's death hard and began to despise all police; she also blamed John Law's father, which caused a irreparable break between the two youngsters. Sand began hanging with with the wrong crowd and eventually ran off to Europe with a notorious gambling ring. In Europe, she became an adventuress, first betraying Nazis for money, then being seen in exotic areas of the globe with various international figures. Back in the U.S., one of Sand's accomplices shot and killed a policeman; Sand cu ties with the killer and sent the policeman's family $50,000 by way of John Law. Reunited with Sand, the two realize that too uch has passed since they last met, and any hopes for a romance were nonexistent.
The second story features Nubbin the Shoeshine Boy and his dog Tiger. A being claiming to be the ghost of murdered Garfield Lox shows up at police headquarters and is given the bum's rush by Sergeant O'Cork. It really was Lox, or at least part of him; Lox's body had been found missing his head and it was the head of the half-dead Mr. Lox that showed up at headquarters. It was rainy night and kindly Nubbin offered o put Lox up for the night at his room at Mr. Gibbet's house, not realizing 1) that Lox was a ghost, and 2) that Gibbet was the man who had murdered Lox. In the end, Nubbin is nearly drowned in a flooded basement but saves himself by using his shoeshine box as a bolo, trapping Gibbet. John Law comes through just in time to arrest the murderer.
The final original story has Ratt Gutt, a neighborhood psychopath bleeding businesses for protection money, take Nubbin's friend Tommy under his wing because stupid Tommy thinks crooks are cool. nubbin bravely faces off against Ratt Gutt...and loses. Then John Law arrives. Ratt Gutt realizes that he is our of ammo and runs in fear, but John Law easily defeat him without landing a punch; Ratt Gutt is such a coward that he faints in fear.
The stories by Gary Chaloner reimagine John Law, most significantly by killing off Nubbin, who is now a ghost whom John law cannot see but Tiger can. Also brought into the mix are two characters from The Spirit, Lady Luck and Mr. Mystic. Lady Luck is wealthy Brenda Banks, a vigilante who operated during World War II and now a motion picture star and film studio head; Mr. Mystic was originally Kenneth Yarkovski, who is embued with magical powers. Also created for the Chaloner series was mob boss Enzo D'Angelo, "The Angel," who was best friends with John Law when they were children -- Enzo's mother, Maria, was a surrogate mother for John; John unknowingly operates under Enzo's. protection. Because of Enzo's protection, crooked cop and Chief of Detectives Arnold Reznick cannot physically harm John Law, whom he fears because of his honesty and integrity, so he places John in charge of a new squad of crackpot detectives looking into strange and unexplained cases. The new squad include accident-prone Harry Carey, an Interpol liaison fresh off the boat, first created for Eisner's high school newspaper; trigger-happy, fist-happy, bigoted "Hammer" Donovan, first introduced by Eisner in 1937; Lieutenant Oren Grey, a dapper, educated black man; and Melba Chase P.I., originally meant to be a character in the Nubbin comic book, then retooled as a private detective in "Melba, Private Eye-ful" in 1947.
The artwork in this book is outstanding, incorporating Eisner's detailed experiments in content and form. Of particular interest is a an exquisite penciled sketch that Eisner had begun inking, a great example of the intricate work that Eisner brought to the page.
It's all here...humor, pathos, adventure, thrills, danger, and the Eisner magic. If the John Law had been allowed to see the light of day and if Eisner had not been burdened with so much other work, John Law could have been a contender.
Hard to believe, but Ever Arden was the third choice to portray the sarcastic high school teacher Connie Brooks in this classic radio comedy; when first choice Shirley Booth and second choice Lucille Ball fell through, CBS then-chairman persuaded Arden to audition for the role. The show first aired on CBS Radio on July 19, 1948 and ran until 1957. The characters and all but one of the regular actors moved to CBS television on October 3, 1952, running until May 11, 1956 -- ending one year before the radio show.
In addition to Eve Arden, the cast included Gale Gordon as Osgood Conklin, the gruff high school principal; Jeff Chandler (sometimes billed under his real name, Ira Grossel, as the absent-minded and clueless biology teacher Philip Boynton, who was the object of Connie Brooks' affections -- Chandler was the one cast member who did not transfer to the television program, leaving the show after five years to focus on his film commitments; Richard Crenna as the goofy, squeaky-voiced student Walter Denton; Gloria McMillan as Harriet Conklin, Osgood Conklin's daughter and Walter Denton's girlfriend; and Jane Morgan as Margaret Davis, Miss Brook's absent-minded landlady. Others appearing over the run of the radio program included Virginia Gordon, Gale Gordon's wife, who played Osgood Conklin's wife Martha; Leonard Smith and Eddie Riley, who played high school athletes Stretch and Bones Snodgrass; and Mary Jane Croft who played scheming high school teacher -- and Connie's rival for Boynton's affections -- Daisy Enright. Another member of the radio cast was Minerva, Mrs. Davis's cat, whose piano sleeping would result in perfectly timed piano riffs.
In 1956, after the television show was canceled, a theatrical film was made in which Connie Brooks and Philip Boynton were finally engaged.
In "The Sweater," Conklin decides to boost morale for the school's losing football team by having one of the teachers become a cheerleader, and he felt that Miss Brooks would be a fitting candidate. Then he discovered that a rival high school principal was voted faculty cheerleader by the student body. Not to be outdone, he began thinking about taking the role for himself...
Enjoy.
https://www.youtube.com/watch?v=meSmsnAOH0g
"Down Sonora Way" by Louis L'Amour (first published in Five Western Novels Magazine, December 1951; reprinted in L'Amour's collection Bowdrie's Law, 1984; in Texas Rangers, edited by Ed Gorman & Martin H. Greenberg, 2004; and in The Collected Short Stories of Louis L'Amour: The Frontier Stories, Volume 2, 2004)
From 1946 through 1952, Louie L'Amour (1908-1988) published 18 short stories about Texas Ranger Chick Bowdrie; a nineteenth story was published posthumously in 1998. The first 18 stories were collected in two books: Bowdrie (1983) and Bowdrie's Law (1984); the final story was published in the collection Monument Rock (1998). Bowdrie could have been an outlaw, but he rode a different trail. Texas-born Chick Bowdrie was raised by Comanches after his parents were killed; there he learned to hunt track, and survive. At age twelve, the Comanches sent him back to live among the white population. He soon went out on his own, working for various cattle ranches and cowboy outfits. When he was twenty-one he was shot three times in a gunfight but managed to ride away and rancher Noah Whipple nursed him back to health and gave him a job. Months later, Whipple was murdered and Bowdrie vowed to find the killer. He read that the Texas Rangers were advertising for men, and Bowdrie felt that he would be better off hunting for the killer if he was on the right side of the law. From that point on, he was a Texas Ranger and was responsible for many outlaws being killed or captured. Over a period of four years (using the internal chronology of the short stories), Bowdrie was wounded ten times and had survived at least thirty-three gunfights. Bowdrie is feared and respected by both outlaws and lawmen alike. The Texas Rangers preferred having him on their side rather than against them.
Tensleep Mooney was "a sure hand with a six-shooter and an excellent rifle shot." When Al Baggs -- one of the notorious feudal Baggs family -- stole Mooney's horse, Mooney went after him; Baggs was killed in the ensuing gunfire and Mooney recovered his horse. That Baggs was killed did not set right with the clan and two of the family members came after Mooney; Mooney took two Baggs bullets and survived; the Baggs boys took three of Mooney's bullets and did not. Other members of the family went after Mooney and lost. Then Gene Baggs, the clan's most feared gunfighter, went after Moony and "died of acute indigestion caused by absorbing too much lead on an empty stomach." When another Baggs member and an itinerant gunslinger well felled, it brought the dead count up to eight. The Texas Rangers figured enough was enough, so they sent Chick Bowdrie to arrest Mooney. Bowdrie trailed Mooney to the Mexican border, then went further into Sonora and Apache country.
Now Mooney had Bowdrie pinned down, out of water, with a bullet having grazed his shoulder, and a dead horse. Mooney felt he would be at a distinct disadvantage if brought back to El Paso, under arrest with no weapon and with countless numbers of the Baggs clan after his hide, so he was determined not to be taken. Mooney held the high ground and Bowdrie could not move without being shot.
Suddenly, in the distance, Mooney saw people approaching from the desert. It was not, as he feared, Apache; rather it was a wounded man, a woman, and two children. Farther in the distance, a cloud of dust, indicating a group of Apache following the foursome. Both Mooney and Bowdrie were well hidden from view and could well wait safely until both groups passed, but they what would eventually happen to the white settlers once the Indians caught up to them. So a bargain was made between the two gunfighters -- they would call a truce and try to help the family; they would renew their hostilities once the crisis was passed, supposing they both survived.
Bowdrie and Mooney had two rifles, their six-shooters, and were down one horse. They could not get a count on the Apache; there are lest ten of them, and perhaps double that. Plus, if things got out of hand, the Apache could sent a man back to get more reinforcements. Things do not look gook good.
And, if they did survive, would Bowdrie be able to bring Mooney in to face justice?
An interesting tale of enemies becoming friends and what might happen afterward, set against a backdrop of overwhelming odds.
L'Amour wrote one additional tale about Tensleep Mooney, which happened to published the same month that "Down Sonora Way" saw print ("Long Ride Home" in Best Western, December 1951; collected in The Collected Short Stories of Louis L'Amour: The Frontier Stories, Volume 7, 2009).
A pre-Code early talkie with Norma Shearer her most glamorous and Basil Rathbone at his most dashing.
"[T]his witty and stylish caper follows a clever jewel thief posing as a wealthy widow to infiltrate London's upper crust. Directed by Sidney Franklin and adapted from the hit stage play [by Frederick Lonsdale] features an all-star ensemble: Basil Rathbone as the elegant Lord Dilling, George Burraud, Herbert Bunson, and a delightfully sharp Hedda Hopper. Brimming with high society intrigue, snappy dialogue, and a dash of romantic suspense, this [...] is a must-watch for fans of vintage crime comedies and old Hollywood elegance."
The screenplay by Hanns Kraly, who received an Academy Award nomination for his script.
The original play, directed by Gerald du Maurier, opened on September 22, 1925 and ran for 385 performances. The original cast included du Maurier, Gladys Cooper, and May Whitty. a revival opened in June 1944 and subsequently toured the provinces until the following May. It was adapted flour times for the screen: first in 1929; again in 1937 with Joan Crawford, William POowell, and Robert Montgomery; a third time in 1951 as The Law and the Lady, starring Greer garson; and finally in a 1961 German production featuring Lilli Palmer.
Enjoy.
https://www.youtube.com/watch?v=2RuXxoq31PY
Dead and Gone by Andrew Vachss (2000)
In addition to being a child protection consultant and an attorney exclusively representing children and youths, Andrew Vachss was a crime author best known for his series of 18 novels about Burke, an urban vigilante. I was a big fan of Vachss and of Burke back in the day, but stopped reading him in the late 90s -- no particular reason, just that other, newer authors were taking up my reading time -- but when I came across a copy of Dead and Gone I knew it was time to re-anew my acquaintance.
Burke is a one-named urban warrior, living off the grid in an abandoned building. He has a group of friends -- a "family" -- of like-minded individuals who help support and protect each other and ignore many of the laws of society. Burke can be a thug for hire, and he has killed, but he retains a strong ethical grounding. Burke's main grievance -- something in common with the author -- is with child abusers and the society that allows the abuse to continue, which provides most of the themes for the novels. Burke's closest friend is his dog, Pansy, a Neapolitan mastiff, 150 pounds of war dog, who has been his companion for nineteen year.
As we open, Burke has been hired to facilitate a trade of money for a kidnapped boy, the son of Russian immigrants. The boy had vanished ten years before, with not trace, no body, and no ransom note. Burke has been selected to make the deal because of his reputation in the underground. He meets the boy and three men in a dark, isolated location. The boy pulls a gun and shoots Burke, although Burke has enough time to release the latch on his trunk, releasing Pansy. Pansy attacks the boy and rips out his throat, while Burke manages to shoot one of the other men. But Burke is badly wounded and is about to pass out when one of the men shoots him in the head, while the other shoots and kills Pansy.
Burke wakes up in a hospital, badly injured and near death. Slowly, recovers, but he has changed physically. His injuries and his head wound (which grazed his brain) has altered his looks. He knows now that the purpose of the meeting was not to free the boy, but to kill him specifically. Why? And who? Add to the mystery is that an awful lot of money was involved in the setup. Whoever wanted him dead would not stop until he was assuredly dead.
Perhaps Burke's greatest motivation here, in addition to his survival, would be echoed 14 years after in the film John Wick: They killed his dog! Someone's is going to die! Can't blame him; after reading about ten of the Earlier Burke novels, I had grown to love Pansy.
Following a trail from New York to Chicago to the Pacific Northwest, Burke encounters pedophiles (naturally), neo-Nazis, abortion clinic bombers, and a sort of glorified Epstein Island -- a nation created to protect the worst of the worst of abusers. Along the way, he is joined by his "family," as well as a Black gay pilot he had rescues in Biafra, a childhood friend who specializes in seeing patterns where others only see banks, and a Russian-speaking Cambodian named Gem, who becomes his "wife."
Dead and Gone marks a turning point for Burke. In the end, he is forced to abandon New York and move west. Where this journey will take him, I have no idea. Or won't until I read the later books in the series.
This is a disturbing book, even more so than earlier entries in the series. Through a series of flashbacks, we get to see Burke as a child, and the horrors that he endured to make him the warrior he has become. Not an easy read, but an important one for any person who feels rage about the disgusting prevalence of child abuse.
In addition to his Burke novels, Andrew Vachss (1942-2021) has written the Cross series, the Aftershock trilogy, and ten standalone novels (including a tie-in in which Batman battles the child sex trade in Thailand), as well as three collections, ten comics and graphic novels, three plays, and to non-fiction books. He has been an outspoken advocate for children's rights and has appeared on numerous television programs and has authored many articles, including many published in Parade magazine over a thirty-plus-year period. He was tireless in his pursuit of juistice.
Carlton E. Morse (1901-1993) was a popular radio writer who gave us such programs as One Man's Family and I Love a Mystery. Shortly after NBC cancelled I Love a Mystery in 1944 (which would bounce back four years later under the title I Love Adventure), Morse created Adventures by Morse, a syndicated adventure series that ran for a year, from October 26, 1944 to October 18, 1945, consisting of eight serials of from three to ten half hour episodes each. Morse produced, directed, and wrote each of the 52 episodes. The series featured Captain Bart Friday, a globe-trotting San Francisco private eye, and his sidekick, Texan Skip Turner. Murder, kidnapping, and espionage were run of the mill subjects for the pair, with the occasional secret Nazi base, snake worshipper, and voodoo thrown in.
In the three-part "A Coffin for the Lady," Captain Friday's San Francisco office is contacted by an Army Intelligence officer who is "looking to hire a pair of operatives for a mysterious mission. Transported to a small, isolated cove off the coast of Canada, Friday, Turner, and a Major Lawrence find a speedboat waiting for them, which they use to get to Marmaduke Island. Warned by Lawrence that the duo will need to be 'ready for action' at any given moment, three hours pass, then, suddenly, an Amy GI appears out of the underbrush carrying a heavily bound and gagged woman in his arms. Friday and Turner quickly observe that the man has been mortally wounded -- a knife sticking out of his back -- and his last words before dying are to instruct men to get the woman to shore immediately."
Over the course of the series, Bart Friday was played by Elliott Lewis, David Ellis, and Russell Thorson, while Jack Edwards and Barton Yarborough took the role of Skip Turner; "A Coffin for a Lady" most likely starred Lewis and Edwards.
Enjoy.
"A Coffin for The Lady" Part 1 ("The Adventure Begins"):
https://www.oldradioworld.com/media/Adventures%20By%20Morse%201945-01-04%20A%20Coffin%20For%20The%20Lady%20Part%201.mp3
"A Coffin for a Lady" Part 2 ("The Conversation in a Casket"):
https://www.oldradioworld.com/media/Adventures%20By%20Morse%201945-01-11%20A%20Coffin%20For%20The%20Lady%20Part%202.mp3
"A Coffin for the Lady" Part 3 ("The Deepest Grave in the World"):
https://www.oldradioworld.com/media/Adventures%20By%20Morse%201945-01-18%20A%20Coffin%20For%20The%20Lady%20Part%203.mp3
"The Most Hated Man in London" by Patricia Moyes (first published in The Evening Standard, March 16, 1963, as "Murder! -- With Five Bob's Worth of Human Misery"; reprinted thereafter under the present title in Ellery Queen's Mystery Magazine, March 10, 1980; in London After Midnight, edited by Peter Haining, 1966; in Moyes' collection Who Killed Father Christmas?, 1996; and in Metropolitan Mysteries, edited by Martin Edwards, 2024)
There was a time when many British newspapers published fiction, both original and reprinted, among them The Evening Standard of London. Brief stories, to be sure, and many of those that were reprints were abridged. The Evening Standard, a daily, began in 1859 as a sister publication to The Standard (which folded in 1916); it is still being published, but, alas, evidently with no fiction -- according to the FictionMags Index, the latest date the paper published fiction was in 1999. The earliest piece of fiction published in the paper was the serial "Dear Acquaintance" by Rosemary Rees with installments six times a week through at least the entire month of January, 1929; daily offering of short fiction (at least according to the FMI) began in 1932 with reprints from Holloway Horn, Arthur Morrison, Barry Pain, Frank R. Stockton, James Stephens, H. G. Wells, H. E. Bates and Edgar Allan Poe, among others. Original stories began appearing sporadically and increasing in 1933. There were long periods of months, and even years, in which the paper published no fiction, possibly due to a change in editorial tastes or to perceived customer reaction, but through the 40's 50's, and the early 60's, the fiction kept bouncing back. The last piece of fiction mentioned in the FMI was "A Giant's Robe Upon a Dwarfish Thief" by Michael Innes (December 28, 1964). It should be noted that the newspaper published at least four doorstop anthologies in the 1930s -- two of general short stories and two of "Strange Tales"; this was followed by two volumes of detective stories in the early 1950s.
Patricia Moyes (1923-2000) was a British mystery writer best known for her 19 novels about C.I.D. Inspector Henry Tibbett and his beloved wife, Emmy. She served as the personal assistant for actor Peter Ustinov for eight years, co-wrote the 1960 filmscript for School for Scandal, and translated the 1940 Jean Anouilh's play Leocadia as Time Remembered (which received several Tony Awards for is Broadway production with Richard Burton, Helen Hayes, and Susan Strasberg). Over her career, Moyes wrote about twenty short stories, about half of them for the British newspapers in the early 1960s; by necessity most of them were very short.
"The Most Hated Man in London" is a brief puzzle story. The title character is Max Scotland, a disreputable moneylender and blackmailer who enjoyed squeezing out every bob he could from his victims. Max conducted all his business from his office, which was guarded by a gatekeeper -- a very reliable "old soldier" named Potts -- there was no way to go in or out of Max's office without being seen by him. Max Scotland kept scrupulous records, as well as an appointment diary. His diary for that recorded three appointments. The last person with an appointment claimed that he went in to discover Max's body, his opened safe, and burned papers, and raised the alarm. The second person claimed she also found the body, panicked, and left the scene immediately, leaving a blood-stained footprint. That left the suspicion to fall on the first appointment. But did he do it? By paying attention to each of the statement from the three suspects and the guard, the unnamed Chief Inspector who was called to the case was able to immediately discover the culprit.
A minor story, five pages long, with a conclusion most readers should have worked out, but probably didn't. Clever, but not earth-shattering. Entertaining, but slight. To read Moyes at her full powers, read any of the Henry Tibbett mysteries. You will be glad you did.
Michael Shayne was a popular fictional private eye created by "Brett Halliday" (Davis Dresser, 1904-1977) in 1939. Dresser wrote fifty books about the character; sine 1958 another 27 novels were published in paperback ghost-written by a string of writers. Shayne was featured in twelve films from 1940 to 1947, seven starring Lloyd Nolan, with the remaining five starring Hugh Beaumont. Kiss Kiss Bang Bang, a 2005 film, was based on a Shayne novel but did not featured the character. From 1944 to 1953, there were three separate radio programs about the character: Michael Shayne, Private Detective, starring Wally Maher; The New Adventures of Michael Shayne, with Jeff Chandler; and The Adventures of Michael Shayne, featuring at various times Donald Curtis, Robert Serling, and Vinton Hayworth. Prior to the Michael Shayne television program which began in 1960, there was a failed 1958 pilot featuring Mark Stevens. Michael Shayne lasted for 32 episodes (September 30, 1960 through May 19, 1961). It starred Richard Denning (Creature from the Black Lagoon, The Flying Doctor, Hawaii Five-O, and both the CBS and NBC versions of Mr. and Mrs. North; Denning also played opposite Lucille Ball in radio's My Favorite Husband, the precursor to television's I Love Lucy. From 1956 to 1985, Michael Shayne Mystery Magazine (later retitled to Mike Shayne Mystery Magazine) was one of the more successful crime digests, lasting for 337 issues, each featuring an adventure of the character; the magazine used "Brett Halliday" as a house name, and the stories were written by Sam Merwin, Jr, Richard Deming, W. Ryerson Johnson, Robert Arthur, Robert Terrall, Michael Avallone, Dennis Lynds, Frank Belknap Long, Edward Y. Breese, Max Van Derveer, Bill Pronzini & Jeffrey M. Wallman, David Mazroff, George Warren, James M. Reasoner, Lyvia J. Washburn, Hal Blythe & Charles Sweet, and a number of thus far uncredited authors. From November 1961 to January 1962, Dell Comics released three issues of Mike Shayne Private Eye.
Blood on Biscayne Bay (1946) was the fourteenth book in the series and the basis of this episode, the ninth in the television program. "Shayne is hired to sell a valuable pearl necklace and use the proceeds to pay off a gambling debt. When Shayne opts to pressure the gambling club owner into turning the IOU over to him for free, he is surprised when his client reacts angrily. Mike learns that the gambling debt was only a ruse. His pretty client is up to her eyeballs in blackmail and murder with suspects that include her brother-in-law, the casino lawyer, a former boyfriend and a sleazy divorce attorney."
Also featuring Jerry Paris as Tim Rourke, Patricia Donahue as Lucy Hamilton, Herbert Rudley as Will Gentry, Gary Clarke as Dick Hamilton, with guests Mona Freeman, Gilbert Green, Burt Douglas, Harry Bartell, Robert Knapp, Tracey Roberts, Dinah Anne Rogers, Harry Cooper, Tipp McClure, Laurence Haddon, Maidie Norman, and Charlott [sic] Knight. Directed by Paul Stewart. IMDb lists the writers as William Levinson and Richard Link, while Wikipedia credits Ted Leighton -- turns out "Leighton" was a pseudonym used by the pair, sometimes when their work was substantially rewritten by other hands.
Enjoy this episode.
https://www.youtube.com/watch?v=OByve8Yh4no
Tony Bennett (1926-2023). Do I need to add anything?
"I Left My Heart in San Francisco"
https://www.youtube.com/watch?v=r6DUwMnDxEs
"I've Got You Under My Skin" (with Lady Gaga)
https://www.youtube.com/watch?v=xyTa_gJkYwI
"Body and Soul" (with Amy Winehouse)
https://www.youtube.com/watch?v=_OFMkCeP6ok
"I Get A Kick Out of You"
https://www.youtube.com/watch?v=ddyta-g8K-w
"For Once in My Life"
https://www.youtube.com/watch?v=3T6Yl5iBwhM
"Fly Me to the Moon"
https://www.youtube.com/watch?v=HJuZUBJtWUo
"Stranger in Paradise" (with Andrea Bocelli)
https://www.youtube.com/watch?v=WFrUsa5SUv0
"Night and Day"
https://www.youtube.com/watch?v=MXND_pDkpts
"New York State of Mind" (with Billy Joel)
https://www.youtube.com/watch?v=a1k9YlR_9S4
"The Very Thought of You"
https://www.youtube.com/watch?v=gLuFKaXEI1Y
"The Lady Is a Tramp"
https://www.youtube.com/watch?v=JBXBSORQVlg
"Because of You"
https://www.youtube.com/watch?v=i-4zvArJDGg
"I Can't Give You Anything But Love"
https://www.youtube.com/watch?v=T-koDEArDdc
"It Had to Be You"
https://www.youtube.com/watch?v=WJ1I3ZmEozQ
"Sing You Sinners"
https://www.youtube.com/watch?v=G7Y9eiCH_nY&list=PL-f5sU8-_h3c5pT63xYhQbYrRLY9KWmDr&index=18
"Chicago" (with the Count Basie Big Band)
https://www.youtube.com/watch?v=Z1VqrkVXJrE&list=PL-f5sU8-_h3c5pT63xYhQbYrRLY9KWmDr&index=19